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Mendelssohn - 20 Selected Songs - High Voice Book

Mendelssohn - 20 Selected Songs - High Voice Book

SKU: EP4570A
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Edition Peters

Mendelssohn - 20 Selected Songs - High Voice Book 📚

Voicing: High Voice / German

The "Mendelssohn - 20 Selected Songs - High Voice Book" published by Edition Peters is a music book designed for singers with a high vocal range. It includes a selection of 20 songs composed by Felix Mendelssohn, and the lyrics in the songs are in the German language.

This book is intended for singers who have a high vocal range and are comfortable singing in German. It provides sheet music and vocal arrangements for these selected songs, making it a valuable resource for vocalists and musicians interested in Mendelssohn's compositions.

Song Titles Include:

  • 1 Jagdlied
  • 2 Venetianisches Gondellied
  • 3 Pagenlied
  • 4 Der Mond
  • 5 Bei der Wiege
  • 6 Nachtlied
  • 7 Andres Maienlied (Hexenlied)
  • 8 Erntelied
  • 9 Des Madchens Klage
  • 10 Wenn sich zwei Herzen scheiden
  • 11 Volkslied
  • 12 Lieblingsplätzchen
  • 13 Das erste Veilchen
  • 14 Frühlingslied
  • 15 Gruß
  • 16 Hirtenlied
  • 17 Auf Flügeln des Gesanges
  • 18 Suleika
  • 19 Wartend (Romanze)
  • 20 Neue Liebe

AMEB:

Singing / Certificate of Performance / List C Soprano and Mezzo-Soprano

  • Suleika No 3 from Sechs Lieder Op. 57

Singing / Grade 5 / List C

  • Jagdlied No 3 from Drei Gesange Op. 84 (Mendelsshon: 20 collected songs) (H)

Singing / Grade 7 / List C All Voice Types

  • Auf Flugeln des Gesanges No 2 from Sechs Gesamge Op. 34

Singing / Grade 8 / List C Soprano and Mezzo-Soprano

  • Neue Liebe No 4 from Sechs Gesange Op. 19a

Singing / Grade 8 / List C Tenor

  • Neue Liebe No 4 from Sechs Gesange Op. 19a

Who Was Felix Mendelssohn Bartholdy?

A German composer, conductor, pianist, and organist who already numbered among the most important composers in Europe during his lifetime. While still young he found a unique tonal language. Reflected in his oeuvre, which spans all genres, are the contradictory tendencies of the age – Classicism and Romanticism. His endeavours over the course his life to perform the works of Johann Sebastian Bach led to a “rediscovery” of that composer which continues unabated. His intensive engagement with Bach and his counterpoint influenced his own compositional technique.

1809 Born into a wealthy banker’s family in Hamburg on February 3. Escape to Berlin with his parents in 1811. First musical instruction from his mother.
1819 He becomes a pupil of Carl Friedrich Zelter.
1820 Joins the Sing-Akademie in Berlin.
1821–23 Twelve sinfonias for strings.
1825 String Octet in E-flat major, Op. 20.
1826 Overture to “A Midsummer Night’s Dream,” Op. 21
1827 Begins studies at the University of Berlin.
1829 Revival of Bach’s St. Matthew Passion in Berlin on March 11 and 21. Travels to England and Scotland.
1829–30 “Reformation” Symphony in D minor, [Op. 107], with inclusion of the choral “Ein feste Burg“ (A Mighty Fortress Is Our God.)
1830–32 Extended travels, including to Italy and France. Piano Concerto in G minor, Op. 25; Overture in B minor, Op. 26, “The Hebrides, or Fingal’s Cave” (1829–30).
1833 Music director in Düsseldorf. “Italian” Symphony in A major, Op. 90 (1830–33).
1835 Director of the Gewandhaus concerts in Leipzig.
1836 Premiere in Düsseldorf of his oratorio “St. Paul: Oratorio on Words of the Holy Bible,” Op. 36.
1838-44 Violin Concerto in E minor, Op. 64.

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