Mendelssohn - 20 Selected Songs - High Voice Book
Mendelssohn - 20 Selected Songs - High Voice Book
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Edition Peters
Mendelssohn - 20 Selected Songs - High Voice Book 📚
Voicing: High Voice / German
The "Mendelssohn - 20 Selected Songs - High Voice Book" published by Edition Peters is a music book designed for singers with a high vocal range. It includes a selection of 20 songs composed by Felix Mendelssohn, and the lyrics in the songs are in the German language.
This book is intended for singers who have a high vocal range and are comfortable singing in German. It provides sheet music and vocal arrangements for these selected songs, making it a valuable resource for vocalists and musicians interested in Mendelssohn's compositions.
Song Titles Include:
- 1 Jagdlied
- 2 Venetianisches Gondellied
- 3 Pagenlied
- 4 Der Mond
- 5 Bei der Wiege
- 6 Nachtlied
- 7 Andres Maienlied (Hexenlied)
- 8 Erntelied
- 9 Des Madchens Klage
- 10 Wenn sich zwei Herzen scheiden
- 11 Volkslied
- 12 Lieblingsplätzchen
- 13 Das erste Veilchen
- 14 Frühlingslied
- 15 Gruß
- 16 Hirtenlied
- 17 Auf Flügeln des Gesanges
- 18 Suleika
- 19 Wartend (Romanze)
- 20 Neue Liebe
AMEB:
Singing / Certificate of Performance / List C Soprano and Mezzo-Soprano
- Suleika No 3 from Sechs Lieder Op. 57
Singing / Grade 5 / List C
- Jagdlied No 3 from Drei Gesange Op. 84 (Mendelsshon: 20 collected songs) (H)
Singing / Grade 7 / List C All Voice Types
- Auf Flugeln des Gesanges No 2 from Sechs Gesamge Op. 34
Singing / Grade 8 / List C Soprano and Mezzo-Soprano
- Neue Liebe No 4 from Sechs Gesange Op. 19a
Singing / Grade 8 / List C Tenor
- Neue Liebe No 4 from Sechs Gesange Op. 19a
Who Was Felix Mendelssohn Bartholdy?
A German composer, conductor, pianist, and organist who already numbered among the most important composers in Europe during his lifetime. While still young he found a unique tonal language. Reflected in his oeuvre, which spans all genres, are the contradictory tendencies of the age – Classicism and Romanticism. His endeavours over the course his life to perform the works of Johann Sebastian Bach led to a “rediscovery” of that composer which continues unabated. His intensive engagement with Bach and his counterpoint influenced his own compositional technique.
| 1809 | Born into a wealthy banker’s family in Hamburg on February 3. Escape to Berlin with his parents in 1811. First musical instruction from his mother. |
| 1819 | He becomes a pupil of Carl Friedrich Zelter. |
| 1820 | Joins the Sing-Akademie in Berlin. |
| 1821–23 | Twelve sinfonias for strings. |
| 1825 | String Octet in E-flat major, Op. 20. |
| 1826 | Overture to “A Midsummer Night’s Dream,” Op. 21 |
| 1827 | Begins studies at the University of Berlin. |
| 1829 | Revival of Bach’s St. Matthew Passion in Berlin on March 11 and 21. Travels to England and Scotland. |
| 1829–30 | “Reformation” Symphony in D minor, [Op. 107], with inclusion of the choral “Ein feste Burg“ (A Mighty Fortress Is Our God.) |
| 1830–32 | Extended travels, including to Italy and France. Piano Concerto in G minor, Op. 25; Overture in B minor, Op. 26, “The Hebrides, or Fingal’s Cave” (1829–30). |
| 1833 | Music director in Düsseldorf. “Italian” Symphony in A major, Op. 90 (1830–33). |
| 1835 | Director of the Gewandhaus concerts in Leipzig. |
| 1836 | Premiere in Düsseldorf of his oratorio “St. Paul: Oratorio on Words of the Holy Bible,” Op. 36. |
| 1838-44 | Violin Concerto in E minor, Op. 64. |
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