Rudolphe Kreutzer - Etudes 42 Studies For Violin Book

Violin / Certificate of Performance / List A

• Allegretto in E minor No 36 from 42 studies
• Allegro in C minor No 31 from 42 studies
• Moderato in D minor No 42 from 42 studies
• Moderato in Eb major No 35 from 42 studies

Violin / Grade 4 / List A

• Allegro moderato No 5 from 42 studies for violin

Violin / Grade 6 / List A

• Allegro non troppo in Bb major No 15 from 42 studies for violin
• Andante in E major No 11 from 42 studies for violin
• Moderato in A major No 13 from 42 studies for violin
• Moderato in D major No 16 from 42 studies for violin
• Moderato in G major No 10 from 42 studies for violin

Violin / Grade 7 / List A

• Allegro in G minor No 24 from 42 studies
• Allegro vivace in F minor No 37 from 42 studies
• Moderato in A major No 14 from 42 studies
• Moderato in D major No 21 from 42 studies
• Study in A major No 20 from 42 studies

Violin / Grade 8 / List A

• Grave in E minor No 28 from 42 studies
• Moderato in Bb major No 30 from 42 studies
• Moderato in Eb major No 26 from 42 studies

Rudolphe Kreutzer -Well known for his style of bowing, his splendid tone and the clearness of his execution, French violinist, teacher and composer Rodolphe Kreutzer (1766-1831) composed nineteen Violin concertos and forty operas during his life time, and is perhaps best known for his 42 Études or Capriccios, 1796. Born in Versailles, Kreutzer was initially taught by his German father, who was a musician in the royal chapel, with later lessons from Anton Stamitz. He quickly rose to fame as a Violinist, appearing as a soloist until 1810. In 1798, when at Vienna in the service of the French ambassador, Jean-Baptiste Bernadotte (later King of Sweden and Norway), Kreutzer the made the acquaintance of Beethoven and became the dedicatee of his Violin Sonata No. 9, Op. 47 (1803). Kreutzer, however, never played the work, declaring it unplayable and incomprehensible.

From 1795 until 1826 Kreutzer taught at the Conservatoire de Paris, where he became co-author of the Conservatoire's Violin method with Pierre Rode and Pierre Baillot. He was also leader of the Paris Opera for a time. 

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