雅马哈小号号嘴 - 15C4（进阶演奏者适用）
雅马哈小号号嘴 - 15C4（进阶演奏者适用）
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雅马哈 (Yamaha) 小号号嘴 - 15C4 🎺
专为进阶演奏者设计的号嘴
铜管乐器的号嘴远不止是一个附加件或配件，它是你乐器中至关重要的一部分。作为演奏者与乐器之间的媒介，它能让你在平庸与卓越之间做出选择。
雅马哈 15C4 小号号嘴是一款高品质的铜管乐器号嘴，旨在提升您的演奏体验。这款号嘴具有清晰的杯缘咬合感和标准的 U 型杯体，为演奏者提供舒适且稳固的支撑。其设计有助于实现精准的控制与灵活性，使进阶演奏者能够轻松且准确地进行自我表达。
15C4 号嘴以其明亮且强劲的音色而闻名，是追求充满活力与动感音效的乐手的理想选择。它具有出色的投射感和清晰度，让您的音乐在各种演奏场合中都能够脱颖而出。
此号嘴经过精密制作，注重每一个细节，确保了优异的演奏性能和音质。它在演奏的舒适度、灵敏度和投射感之间取得了完美的平衡，让您能够在音乐中实现理想的音色与表现力。
选择您的号嘴：
*雅马哈标准系列 (Standard Series) 号嘴：采用最先进的计算机设计和制造技术制作，我们的标准系列号嘴具有无与伦比的精度、流畅的起奏、可靠的控制感和轻松的演奏体验。它们拥有适合全面演奏的理想重量，并提供超过 100 种规格可选。每一位演奏者都能找到适合自己的雅马哈号嘴。
*雅马哈镀金系列 (Gold Plated Series) 号嘴：镀金系列专为对号嘴品质有极高要求的专业人士打造。GP 系列采用了创新的外形设计和加重的镀金工艺，适合那些偏好集中、凝聚音核的演奏者。
*雅马哈艺术家签名系列 (Signature Series) 号嘴：尽管在专业圈之外鲜为人知，但雅马哈多年来一直致力于在我们的研发工作室 (R&D Ateliers) 为全球数百位顶尖演奏者制作特别定制的号嘴。这些艺术家对市场上现有的商业型号并不完全满意，他们选择我们，是因为相信如果有人拥有创造他们“梦想”号嘴的能力，那一定是雅马哈。演奏者通过长期的职业生涯精准地知道他们想要什么样的音色和反馈，而我们的技术人员则凭借制造乐器的深厚经验，将其实现。
标准系列规格表：
型号 |
杯缘内径 (mm) |
内膛(mm) |
特性 |
|---|---|---|---|
5A4 |
15.90 |
3.65 |
极小的杯缘内径，平坦且宽阔。杯深较浅，是高音小号的理想选择。 |
6A4a |
15.90 |
3.65 |
非常浅的杯深，便于演奏高音，适合大乐队风格的高音小号。 |
7A4 |
16.24 |
3.65 |
较小的杯缘内径，但灵活性依然很好。非常适合短号或高音小号。 |
7B4 |
16.08 |
3.72 |
较大的内膛直径及锋利的杯肩。音色明亮，便于高音演奏。 |
8C4 |
16.19 |
3.65 |
适合全能型演奏，包括独奏。结合了扩展的高音域与饱满的低音。 |
9C4 |
16.28 |
3.65 |
介于 8C4 和 11C4 之间，在宽广的音域内提供轻松的演奏体验。轮廓鲜明的杯缘咬合设计，便于吹奏及延长耐久度。 |
11A4 |
16.46 |
3.65 |
中等杯缘直径，杯深较浅，便于演奏高音。是高音小号和爵士乐演奏的理想选择。 |
11A5 |
16.38 |
3.65 |
宽杯缘、浅杯深，配合略大的背孔，能轻松发出饱满的高音。非常适合高音小号。 |
11B4 |
16.46 |
3.65 |
杯深适中，杯缘中等，可提高演奏耐久度。音色明亮，适合 D 调、降 E 调及高音小号。 |
11 |
16.32 |
3.72 |
相对较大的内膛及锋利的杯肩。全音域易于吹奏，音色明亮。适合初学者。 |
11C4 |
16.46 |
3.65 |
咬合清晰，杯缘平衡性好，适合各类演奏。初学者和进阶演奏者的标准型号。 |
13A4a |
16.20 |
3.65 |
杯缘相对平坦，杯深较浅，响应迅速。是高音小号的理想选择。 |
13B4 |
16.63 |
3.65 |
在大编制合奏和管弦乐中具有极佳的清晰度。与 C 调小号匹配度高，音色强劲。 |
13C4 |
16.50 |
3.65 |
中等杯缘直径和杯深，适合全能型演奏。适合合奏和管弦乐。音色较深沉。 |
14A4a |
16.68 |
3.65 |
高音响应迅速，音色强劲。是高音小号的理想选择。 |
14B4 |
16.85 |
3.65 |
相对较大的杯缘直径和较浅的杯深。在所有音乐类型中均有出色的整体平衡性。 |
14C4 |
16.88 |
3.65 |
杯缘设计旨在提供极佳的操控性和灵活性。在合奏和管弦乐中广受欢迎。能产生巨大的音量。 |
14D4 |
16.80 |
3.65 |
较深的杯深配合中等杯缘。音色饱满，略显深沉。非常适合管弦乐演奏。 |
14E4 |
16.84 |
3.88 |
采用 14B4 杯缘和独特的杯体，音色柔和。适用于旋转阀小号。较大的背孔和内膛。 |
15B4 |
16.96 |
3.65 |
较大的杯缘直径，杯深比 15C4 浅。灵活性卓越。适用于降 B 调、C 调、D 调和降 E 调小号。 |
15C4 |
16.98 |
3.65 |
边缘咬合清晰，采用标准 U 型杯。音色明亮、强劲。适合进阶演奏者。 |
15E4 |
16.92 |
3.88 |
边缘设计旨在提供出色的操控性和灵活性。适用于旋转活塞小号。尺寸介于 14E4 和 16E4 之间。 |
16C4 |
17.00 |
3.65 |
大边缘搭配中号杯，可在宽广音域内轻松演奏。音量大。非常适合交响乐团演奏者。 |
16D |
17.14 |
3.65 |
杯身较 16C4 更深。音色柔和。音质圆润而扎实，非常适合交响乐团。 |
16E4 |
17.14 |
3.88 |
采用 16C4 边缘，搭配独特的深杯。音色浑厚。适用于旋转活塞小号。具有最大的内缘直径。 |
17B4 |
17.30 |
3.65 |
大边缘与相对较浅杯身的良好结合。音色强劲。是交响乐团首席演奏者的绝佳选择。 |
17C4 |
17.30 |
3.65 |
比 17B4 更深的杯身。音色强劲、深沉。是交响乐团演奏者中的热门选择。 |
17D4 |
17.30 |
3.65 |
比 17C4 更深的杯身，带来极其深沉、浑厚的音色。适合偏好圆润音色的交响乐团演奏者。 |
18C4 |
17.42 |
3.65 |
音量大，具有极大的内缘直径和深杯。适合进阶管弦乐演奏者。 |
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配送信息
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