雅马哈小号号嘴 - 14E4
雅马哈小号号嘴 - 14E4
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Yamaha 雅马哈 小号号嘴 - 14E4 🎺
铜管乐器号嘴绝不仅仅是一个附加件或配件，它是乐器不可或缺的重要组成部分。作为演奏者与乐器之间的媒介，它往往决定了演奏表现是平庸还是出众。
Yamaha 雅马哈 14E4 小号号嘴是一款高品质的铜管乐器号嘴，旨在提升您的演奏体验。该号嘴采用 14B4 边缘设计，以其舒适的手感和出色的操控性而闻名。独特的杯身设计有助于营造柔和温暖的音色，非常适合演绎富有表现力和抒情性的旋律。它专为旋转活塞小号设计，以满足此类乐器的独特特性和需求。
此外，14E4 号嘴采用了较大的内膛（backbore）和喉管（throat），以增加气流和投射力。这些元素的结合确保了平衡且浑厚的音色，非常适合独奏、管弦乐演奏以及其他对投射力和清晰度要求极高的音乐场合。
这款号嘴的制造工艺精密，对细节精益求精，确保了卓越的性能和音质。它在演奏轻松度、响应速度和投射力之间实现了完美平衡，让您能够在音乐中实现理想的音色与情感表达。
选择您的号嘴：
*Yamaha 雅马哈标准系列号嘴：采用最先进的计算机设计和制造技术生产，我们的标准系列号嘴具有无与伦比的精度、平滑的起音、可靠的操控性和轻松的演奏感。它们拥有适合各种用途的理想重量，并提供超过 100 种规格可选。总有一款 Yamaha 号嘴适合每一位演奏者。
*Yamaha 雅马哈镀金系列号嘴：镀金系列专为追求顶级品质的专业人士打造。GP 系列采用了创新的外形设计和加厚的镀金饰面，适合偏好集中且浑厚音核的演奏者。
*Yamaha 雅马哈签名系列号嘴：虽然在专业圈外鲜为人知，但多年来，雅马哈一直在其研发工作室（R&D Ateliers）为全球数百位顶尖演奏家定制特殊的号嘴。这些艺术家对市面上现有的商业型号并不完全满意。他们之所以选择我们，是因为他们相信，如果有人拥有打造其心目中“梦想”号嘴的技术，那一定是雅马哈。演奏家们凭借其长期的职业生涯经验明确知道自己想要的音色和反馈，而我们的技术人员则凭借多年打造乐器的深厚经验，深知如何实现这些要求。
标准系列规格表：
型号 |
边缘内径 (mm) |
喉管(mm) |
特性 |
|---|---|---|---|
5A4 |
15.90 |
3.65 |
极小的边缘内径。扁平且宽。杯身容量小。是高音小号（Lead Trumpet）的理想选择。 |
6A4a |
15.90 |
3.65 |
非常浅的杯身，易于吹奏高音。适合大乐队风格的高音小号演奏。 |
7A4 |
16.24 |
3.65 |
边缘内径相对较小，但仍具灵活性。是短号（piccolo）或高音小号的完美之选。 |
7B4 |
16.08 |
3.72 |
喉管直径相对较大，边缘棱角分明。音色明亮，高音吹奏轻松。 |
8C4 |
16.19 |
3.65 |
适合全能型演奏，包括独奏。结合了扩展的高音域和饱满的低音。 |
9C4 |
16.28 |
3.65 |
|
11A4 |
16.46 |
3.65 |
中等边缘直径，配合浅杯身，易于吹奏高音。是短号和爵士乐风格的理想选择。 |
11A5 |
16.38 |
3.65 |
宽边缘、浅杯身结合略大的内膛，轻松展现饱满的高音域。非常适合短号。 |
11B4 |
16.46 |
3.65 |
杯身稍浅，中等边缘设计，提升演奏耐力。音色明亮。适用于 D 调、降 E 调和短号。 |
11 |
16.32 |
3.72 |
喉管相对较大，边缘棱角分明。全音域吹奏轻松，音色较为明亮。适合初学者。 |
11C4 |
16.46 |
3.65 |
咬合清晰，边缘平衡，适合全能型演奏。初学者和进阶演奏者的标准型号。 |
13A4a |
16.20 |
3.65 |
边缘相对平坦，浅杯身带来快速响应。是短号和高音小号的理想选择。 |
13B4 |
16.63 |
3.65 |
在大型乐团和管弦乐中具有极佳的清晰度。与 C 调小号完美匹配。音色浑厚。 |
13C4 |
16.50 |
3.65 |
中等边缘直径和杯身容量，适合全能型演奏。适用于乐团和管弦乐。音色较为深沉。 |
14A4a |
16.68 |
3.65 |
高音域响应迅速，音色强劲。短号或高音小号的理想之选。 |
14B4 |
16.85 |
3.65 |
边缘直径相对较大，杯身较浅。在各种音乐风格中都能保持出色的整体平衡。 |
14C4 |
16.88 |
3.65 |
边缘设计旨在提供卓越的灵活性。在乐团和管弦乐中广受欢迎。可产生大音量。 |
14D4 |
16.80 |
3.65 |
较深的杯身配合中等边缘。音色饱满，略显深沉。非常适合管弦乐演奏。 |
14E4 |
16.84 |
3.88 |
拥有 14B4 边缘和独特的杯身设计，可带来柔和音色。专为旋转活塞小号设计。配备较大的内膛和喉管。 |
15B4 |
16.96 |
3.65 |
边缘直径较大，比 15C4 的杯身更浅。极具灵活性。适用于 Bb、C、D 和降 E 调小号。 |
15C4 |
16.98 |
3.65 |
边缘咬合清晰，采用标准 U 型杯。音色明亮有力。适合高阶演奏者。 |
15E4 |
16.92 |
3.88 |
边缘设计旨在提供出色的便利性和灵活性。适用于旋转活塞小号。尺寸介于 14E4 和 16E4 之间。 |
16C4 |
17.00 |
3.65 |
宽大的边缘和中等深度的杯身，可在较广的音域内轻松演奏。音量大。非常适合交响乐团演奏者。 |
16D |
17.14 |
3.65 |
杯身比 16C4 更深。音色柔和。具有理想的圆润而扎实的音质，适合乐团演奏。 |
16E4 |
17.14 |
3.88 |
采用 16C4 边缘和独特的深杯设计。音色厚重。适用于旋转活塞小号。具有最大的内缘直径。 |
17B4 |
17.30 |
3.65 |
宽大边缘与相对较浅杯身的良好组合。音色有力。是交响乐团首席演奏者的绝佳选择。 |
17C4 |
17.30 |
3.65 |
杯身比 17B4 更深。音色有力且深沉。交响乐团演奏者的热门选择。 |
17D4 |
17.30 |
3.65 |
比 17C4 更深的杯身，可获得格外深沉、厚重的音色。适合偏好圆润音色的交响乐团演奏者。 |
18C4 |
17.42 |
3.65 |
大音量，具有极大的内缘直径和深杯身。适合高阶乐团演奏者。 |
配送信息
配送信息
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