{"title":"Henle Sale","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eG. Henle Verlag is recognised worldwide as a leading authority on \u003cstrong\u003eUrtext editions\u003c\/strong\u003e, with an extensive catalogue devoted to the great works of classical music. Renowned for their scholarly accuracy, exceptional engraving, durability and presentation, Henle’s distinctive blue editions have been trusted by generations of teachers, students and professional performers seeking authoritative musical texts that remain faithful to the composer’s intentions\u003c\/p\u003e","products":[{"product_id":"scenes-from-childhood-op-15-album-for-young-op-68","title":"Scenes From Childhood Op 15 Album For Young Op 68","description":"\u003cp\u003eAn authoritative Urtext edition of Schumann's Album for the Young Op.68 and Scenes from Childhood Op.15, edited by Ernst Herttrich with fingering by Walther Lampe and Andreas Groethuysen. 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Edited by Norbert Mallemann with fingerings by Hermann Keller, this edition sheds light on both established variants and those found in the sources.\u003c\/p\u003e\n\u003cp\u003eFrédéric Chopin composed these \"Préludes\" during his challenging stay with George Sand in Mallorca in the winter of 1838\/1839, and this edition allows interpreters to navigate variant readings and rectify corrupt performance traditions. It is part of Henle Verlag's comprehensive Chopin revisions, featuring an abbreviated critical report in the printed volume, with a more extensive version available for download. This edition spans 84 pages and is an invaluable resource for pianists and enthusiasts of Chopin's music.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #0d6432;\"\u003e\u003cstrong\u003eSong Titles Include:\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e1. Chopin Preludes Op 28\u003c\/li\u003e\n\u003cli\u003e2. Prelude E Minor Op 28 No 4\u003c\/li\u003e\n\u003cli\u003e3. Prelude B Minor Op 28 No 6\u003c\/li\u003e\n\u003cli\u003e4. Prelude D Flat Major Op 28 No 15 (Raindrop)\u003c\/li\u003e\n\u003cli\u003e5. Prelude C Major Op 28 No 1\u003c\/li\u003e\n\u003cli\u003e6. Prelude A Minor Op 28 No 2\u003c\/li\u003e\n\u003cli\u003e7. Prelude G Major Op 28 No 3\u003c\/li\u003e\n\u003cli\u003e8. Prelude D Major Op 28 No 5\u003c\/li\u003e\n\u003cli\u003e9. Prelude A Major Op 28 No 7\u003c\/li\u003e\n\u003cli\u003e10. Prelude F Sharp Minor Op 28 No 8\u003c\/li\u003e\n\u003cli\u003e11. Prelude E Major Op 28 No 9\u003c\/li\u003e\n\u003cli\u003e12. Prelude C Sharp Minor Op 28 No 10\u003c\/li\u003e\n\u003cli\u003e13. Prelude B Major Op 28 No 11\u003c\/li\u003e\n\u003cli\u003e14. Prelude G Sharp Minor Op 28 No 12\u003c\/li\u003e\n\u003cli\u003e15. Prelude F Sharp Major Op 28 No 13\u003c\/li\u003e\n\u003cli\u003e16. Prelude E Flat Minor Op 28 No 14\u003c\/li\u003e\n\u003cli\u003e17. Prelude B Flat Minor Op 28 No 16\u003c\/li\u003e\n\u003cli\u003e18. Prelude A Flat Major Op 28 No 17\u003c\/li\u003e\n\u003cli\u003e19. Prelude F Minor Op 28 No 18\u003c\/li\u003e\n\u003cli\u003e20. Prelude E Flat Major Op 28 No 19\u003c\/li\u003e\n\u003cli\u003e21. Prelude C Minor Op 28 No 20\u003c\/li\u003e\n\u003cli\u003e22. Prelude B Flat Major Op 28 No 21\u003c\/li\u003e\n\u003cli\u003e23. Prelude G Minor Op 28 No 22\u003c\/li\u003e\n\u003cli\u003e24. Prelude F Major Op 28 No 23\u003c\/li\u003e\n\u003cli\u003e25. Prelude D Minor Op 28 No 24\u003c\/li\u003e\n\u003cli\u003e26. Prelude C Sharp Minor Op 45\u003c\/li\u003e\n\u003cli\u003e27. Prelude A Flat Major KK IVB 7\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"color: #0c592c;\"\u003e\u003cstrong\u003eAMEB:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cb\u003ePiano \/ Grade 4 \/ List B\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ePrelude in B minor Op. 28 No. 6\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cb\u003ePiano \/ Grade 6 \/ List C\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ePrelude in Db Op. 28 No. 15\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cb\u003ePiano \/ Grade 8 \/ List C\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ePrelude in Ab major Op. 28 No. 17\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cb\u003ePiano for Leisure \/ Grade 5 \/ Open Manual list\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ePrelude in E minor Op. 28 No 4\/B 123\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eWho Was Frederic Chopin?\u003c\/em\u003e\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003eFrédéric Chopin (1810-1849) was a renowned Polish composer and pianist of the Romantic era. He is widely regarded as one of the most significant composers for the piano and is celebrated for his profound influence on the development of solo piano music.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eChopin's compositions are known for their emotional depth, expressive melodies, and intricate use of harmony and form. He wrote numerous solo piano works, including preludes, nocturnes, mazurkas, waltzes, and études, among others, which have become staples of the classical piano repertoire. His music often reflects the spirit of Polish folk music, and he incorporated elements of his Polish heritage into many of his compositions.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eChopin's life and career were closely associated with France, particularly Paris, where he spent much of his adult life. He was a prominent figure in the Parisian cultural scene and gave numerous concerts and piano recitals that earned him acclaim as a virtuoso pianist. \u003c\/em\u003e\u003cem\u003eTragically, Chopin's life was cut short by illness, and he died in Paris at the age of 39. Nevertheless, his music continues to be cherished and performed worldwide, and his legacy endures as a symbol of Romantic musical expression and virtuosity.\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Encore Music","offers":[{"title":"Default Title","offer_id":40058814955579,"sku":"HN882","price":61.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0552\/9275\/6027\/files\/Untitled_7_4ad6ade8-d3c9-4044-afa2-10acaf6a020e.png?v=1699408118"},{"product_id":"chopin-ballades-urtext-ed-mullemann-theopold","title":"Chopin - Ballades Urtext Ed Mullemann Theopold","description":"\u003cp\u003eIn 1836 Chopin introduced the term ballad into piano music with the publication of his Ballad Op.23, although up to then it had only been used in literature and in vocal music. Indeed, all four of Chopin s ballads have the character of a dramatic story: the musical thread is spun with increasing tension throughout the work, reaching a powerful climax at the end. Henle have now thoroughly re-evaluated this edition and revised it to include the latest scholarly findings. Edited by Norbert Mullemann with fingerings by Hans-Martin Theopold.\u003c\/p\u003e\u003cp\u003eBallades\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eComposer:\u003c\/strong\u003e Frederic Chopin\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEditor:\u003c\/strong\u003e Norbert Muellemann\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePublisher:\u003c\/strong\u003e G. Henle Verlag\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eGenre:\u003c\/strong\u003e Classical\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSubgenre:\u003c\/strong\u003e Romantic\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eInstrumentation:\u003c\/strong\u003e Piano\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFormat:\u003c\/strong\u003e Piano Solo\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMedium:\u003c\/strong\u003e Paperback\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePages:\u003c\/strong\u003e 92\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 31  x  23.5  x  0.7 cm (L  x  W  x  H)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 361 g\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eProduct Identifiers\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eISBN-13:\u003c\/strong\u003e 9790201808628\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eUPC:\u003c\/strong\u003e 101460802\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSKU:\u003c\/strong\u003e HN862\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Devirra","offers":[{"title":"Default Title","offer_id":40058814988347,"sku":"HN862","price":65.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0552\/9275\/6027\/files\/Myproject-1-2023-05-28T091942.940.png?v=1685229597"},{"product_id":"beethoven-sonatas-bk-2-violin-piano","title":"Beethoven - Sonatas Bk 2 Violin\/Piano","description":"\u003cp\u003eAn authoritative Urtext edition of Sonatas for Piano and Violin - Volume II by Ludwig van Beethoven (1770-1827), edited by Sieghard Brandenburg.Contains marked and unmarked violin parts with fingering and bowing by  Max Rostal. Contents: Sonata A major Op. 30 No. 1; Sonata C minor Op. 30No. 2; Sonata G major Op. 30 No. 3; Sonata (Kreutzer Sonata) A major Op . 47; Sonata G major Op. 96.\u003c\/p\u003e","brand":"Encore Music","offers":[{"title":"Default Title","offer_id":40058815021115,"sku":"HN8","price":135.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0552\/9275\/6027\/files\/HN8.jpg?v=1684317484"},{"product_id":"mozart-concerto-a-maj-k-622-clarinet-in-a-piano","title":"Mozart - Concerto A Maj K 622 Clarinet In A\/Piano","description":"\u003cp\u003e\u003cstrong\u003eWolfgang Amadeus  Mozart - Concerto A Major K 622 Clarinet In A Book\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWith Piano Accompaniment \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUrtext Edition \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe most beautiful and significant clarinet concerto in the history of music is now appearing in a Henle urtext edition. The piano reduction is accompanied by two separate parts: an urtext edition of the original clarinet part as found in the early prints, and a reconstruction for basset clarinet, the instrument for which the work was originally written. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe editor, Henrik Wiese, provides a preface and commentary with an in-depth discussion of the work’s unusual source materials. Mozart’s concerto has become the indispensable audition piece. As a special bonus, this edition also includes the text of the autograph fragment for basset horn in G. 62 pages.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(7, 69, 24);\"\u003e\u003cstrong\u003eAMEB:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cb\u003eClarinet \/ Grade 8 \/ List B\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e1st movement from Concerto K 622. If possible, a clarinet in A is to be used.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cb\u003eClarinet \/ Licentiate \/ List B\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e1st movement from Concerto K 622. If possible, a clarinet in A is to be used.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Encore Music","offers":[{"title":"Default Title","offer_id":40058815053883,"sku":"HN729","price":87.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0552\/9275\/6027\/files\/Myproject-1_29_20477ac7-4c71-438b-a6cc-49eefb042636.png?v=1746972759"},{"product_id":"liszt-transcendental-etudes-urtext","title":"Liszt - Transcendental Etudes Urtext Book","description":"\u003cp\u003e\u003cspan style=\"color: #2d734a;\" data-mce-style=\"color: #2d734a;\"\u003e\u003cstrong\u003eFranz Liszt - Transcendental Etudes Urtext Book \u003cmeta charset=\"UTF-8\"\u003e📚\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUrtext Edition\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #2d734a;\" data-mce-style=\"color: #2d734a;\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"color: #1c201e;\"\u003e\u003cspan\u003eLiszt’s “Transcendental Studies” of 1852 are without doubt among the triumphs of virtuoso piano music, and their visionary language and poetic expression make them a milestone of the romantic age. \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #2d734a;\" data-mce-style=\"color: #2d734a;\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"color: #1c201e;\"\u003e\u003cspan\u003eThis set of twelve études represents the results of the composer’s own revision of a collection already published in 1827 and 1839. Accordingly, the principal source for our edition was a printed copy of the earlier version with myriad changes in the composer’s hand. \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #2d734a;\" data-mce-style=\"color: #2d734a;\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"color: #1c201e;\"\u003e\u003cspan\u003eEach of these pieces, including the famous “Harmonies du soir” and “Mazeppa”, bears its own title and has entered the concert repertoire less as an étude than as a tone-poem with its own distinctive flavour. 132 pages. \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #317b56;\"\u003e\u003cstrong\u003eSong Titles Include:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"content-item\" data-item=\"12\"\u003e\n\u003cli class=\"column-title\"\u003ePreludio\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eMolto vivace\u003c\/li\u003e\n\u003cli class=\"column-difficulty\"\u003ePaysage\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli class=\"column-difficulty\"\u003eMazeppa\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli class=\"column-difficulty\"\u003eFeux Follets\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli class=\"column-difficulty\"\u003eVision\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli class=\"column-difficulty\"\u003eEroica\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli class=\"column-difficulty\"\u003eWilde Jagd\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli class=\"column-difficulty\"\u003eRicordanza\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli class=\"column-difficulty\"\u003ePiano\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"grade-circle\"\u003e8\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003edifficult\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eAllegro agitato molto\u003c\/li\u003e\n\u003cli class=\"column-difficulty\"\u003eHarmonies du soir\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli class=\"column-difficulty\"\u003eChasse-neige\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"color: #2d734a;\" data-mce-style=\"color: #2d734a;\"\u003e\u003cstrong\u003eAMEB:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cb\u003ePiano \/ Associate \/ List C\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ePaysage [Scenery] No. 3 from Etudes d'execution transcendante S 139\/L A172\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cb\u003ePiano \/ Licentiate \/ List C\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRicordanza No. 9 from Etudes d'execution transcendante S 139\/L A172\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cfigure class=\"image\"\u003e\n\u003cdiv class=\"image-wrapper\"\u003e\u003cimg data-src=\"\/images\/sq195\/liszt_franz.jpg\" width=\"195\" height=\"195\" class=\"lazy loaded\" alt=\"Franz Liszt\" src=\"https:\/\/www.henle.de\/images\/sq195\/liszt_franz.jpg\" data-was-processed=\"true\"\u003e\u003c\/div\u003e\n\u003c\/figure\u003e\n\u003cdiv class=\"content\"\u003e\n\u003ch3\u003e\u003cem\u003eFranz Liszt\u003c\/em\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cem\u003eThe most famous piano virtuoso of the nineteenth century is regarded as the most influential artist and composer (with Berlioz, Wagner) of the so-called New German School. His immense musical oeuvre comprises, above all else, works for solo piano, including numerous transcriptions; he also devised the symphonic poem. Important, too, are his sacred and secular choral works and songs.\u003c\/em\u003e\u003c\/p\u003e\n\u003ctable class=\"table table-piped\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e1811\u003c\/td\u003e\n\u003ctd\u003eBorn in Doborján\/Raiding (Sopron) on October 22, son of an official in the service of Prince Esterházy. First piano lessons from his father, early first attempts at composition, first public performance at age nine.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e1822\u003c\/td\u003e\n\u003ctd\u003eRelocation of the family to Vienna, studies with Carl Czerny and Antonio Salieri.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e1823\u003c\/td\u003e\n\u003ctd\u003eRelocation of the family to Paris. Composition studies with Ferdinando Paër and Antonín Reicha (1826). Performances in salons, concerts.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e1824–27\u003c\/td\u003e\n\u003ctd\u003eConcert tours through France, to England and Switzerland. Composition of opera paraphrases for piano.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e1830\u003c\/td\u003e\n\u003ctd\u003eAcquaintance with Berlioz, self-study by reading. He becomes Parisian society’sfavourite pianist and piano teacher.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e1835\u003c\/td\u003e\n\u003ctd\u003eHe moves to Switzerland with Countess Marie d’Agoult: their first child together, Blandine-Rachel, is born here. He continues concertizing in Paris.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003efrom 1839\u003c\/td\u003e\n\u003ctd\u003eContinuous concert tours throughout Europe.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003efrom 1847\u003c\/td\u003e\n\u003ctd\u003eSymphonic poems, including No. 2, “Tasso: lamento e trionfo”; No. 1, “Ce qu‘on entend sur la montagne” (‘Bergsymphonie,’ ‘Mountain Symphony’); “A Faust Symphony in Three Character Pictures”; “A Symphony to Dante’s Divine Comedy” (‘Dante Symphony’); as well as [No. 11], “Hunnenschlacht” (“Battle of the Huns”).\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e1848–61\u003c\/td\u003e\n\u003ctd\u003eKapellmeister in Weimar; he advocates for progressive music (Wagner, Schumann, Berlioz).\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e1857–62\u003c\/td\u003e\n\u003ctd\u003eOratorio, “The Legend of St. Elisabeth.”\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e1861–68\u003c\/td\u003e\n\u003ctd\u003eResident in Rome.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e1865\u003c\/td\u003e\n\u003ctd\u003eTakes minor holy orders.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e1866–72\u003c\/td\u003e\n\u003ctd\u003eOratorio, “Christus.”\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e1871\u003c\/td\u003e\n\u003ctd\u003eAppointed Hungarian court councilor; he lives in Rome, Weimar, and Budapest.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e1886\u003c\/td\u003e\n\u003ctd\u003eDeath in Bayreuth on July 31.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Encore Music","offers":[{"title":"Default Title","offer_id":40058815086651,"sku":"HN717","price":109.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0552\/9275\/6027\/files\/Myproject-1-2023-05-20T183554.131.png?v=1684572616"},{"product_id":"beethoven-sonatas-bk-1-violin-piano","title":"Beethoven - Sonatas Bk 1 Violin\/Piano","description":"\u003cp\u003eAn authoritative Urtext edition of Sonatas for Piano and Violin - VolumeI by Ludwig van Beethoven (1770-1827), edited by Sieghard Brandenburg.  Contains marked and unmarked violin parts with fingering and bowing by Max Rostal. Contents: Sonata D major Op. 12 No. 1; Sonata A major Op. 12 No. 2; Sonata E flat major Op. 12 No. 3; Sonata A minor Op. 23; Sonata (Spring Sonata) F major Op. 24.\u003c\/p\u003e","brand":"Encore Music","offers":[{"title":"Default Title","offer_id":40058815119419,"sku":"HN7","price":128.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0552\/9275\/6027\/files\/HN7.jpg?v=1684317495"},{"product_id":"bach-french-suites-bwv-812-817","title":"Bach - French Suites BWV 812-817 Piano Book","description":"\u003cp\u003e\u003cspan style=\"color: #1f6045;\"\u003e\u003cstrong\u003eJohann Sebastian Bach - French Suites BWV 812-817 Piano Book \u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eUrtext Edition\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eJohann Sebastian Bach's three great cycles of suites belong to the fundamental canon of piano literature: the Partitas and the so-called English and French Suites. It is the French Suites that have long been by far the most popular and this was also the case at the time that they were written. However, this also creates problems for an editor preparing an Urtext edition, because a vast number of copies of them were made by Bach's circle of pupils, and these contain many presumably authentic variants.\u003c\/p\u003e\n\u003cp\u003eIn this revised Henle Urtext edition, Ullrich Scheideler explains the complicated source situation with exemplary clarity. He lists the more minor source variants in footnotes; where there are major differences, both versions of individual movements are printed in full. Our opulent volume is rounded off with an appendix offering alternative and additional pieces. This Henle Urtext edition has been completely revised, and also offers new fingerings. It enables pianists and Bach enthusiasts alike to re-discover Bach's universe for themselves. 107 pages\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #1c6145;\"\u003e\u003cstrong\u003eSong Titles Include:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"content-item\" data-item=\"5\"\u003e\n\u003cli class=\"column-title\"\u003eFrench Suite d minor BWV 812\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eFrench Suite c minor BWV 813\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eFrench Suite b minor BWV 814\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eFrench Suite E flat major BWV 815\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eFrench Suite G major BWV 816\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eFrench Suite E major BWV 817 \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"color: #226b47;\"\u003e\u003cstrong\u003eAMEB: \u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cb\u003ePiano \/ Associate \/ List A\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFrench suite No. 5 in G major BWV 816\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cb\u003ePiano \/ Certificate of Performance \/ List B\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFrench Suite [No. 3] in B minor BWV 814\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cb\u003ePiano \/ Grade 3 \/ List A\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ePolonaise 5th movement from French Suite in E major BWV 817\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cb\u003ePiano \/ Grade 6 \/ List A\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCourante 2nd movement from French Suite No. 2 in C minor BWV 813\u003c\/li\u003e\n\u003cli\u003eGigue 6th movement from French Suite No. 3 in B minor BWV 814\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cb\u003ePiano \/ Grade 8 \/ List A\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eGigue 7th movement from 'French' suite No. 5 in G major BWV 816\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cb\u003ePiano for Leisure \/ Grade 5 \/ Open Manual list\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eGavotte 4th movement from French Suite in Eb major BWV 815\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cb\u003ePiano for Leisure \/ Grade 6 \/ Open Manual list\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eGigue 8th movement from French Suite in E major BWV 817\u003c\/li\u003e\n\u003cli\u003eMinuet and Trio 4th movement from French Suite in B minor BWV 814\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cb\u003ePiano for Leisure \/ Grade 7 \/ Open Manual list\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAllemande 1st movement from French Suite in D minor BWV 812\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv class=\"content\"\u003e\n\u003ch3\u003e\u003cem\u003eJohann Sebastian Bach\u003c\/em\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cem\u003eFor many musicians he is “the Alpha and Omega of all music” (Max Reger). Except for operas, Bach composed masterpieces for every ensemble and genre of his age. His catalogue of works contains almost 1,100 entries, including the great Passions of St. Matthew and St. Johan, the Goldberg Variations, the Brandenburg Concerti, or hundreds of singular cantatas. As organist in Muhlhausen and Weimar he creates primarily organ compositions, concerti, and works of chamber music. Later, as music director in Kothen and for the decades he serves as cantor in Leipzig, he composes chiefly sacred vocal compositions and keyboard works. His later, contrapuntally complex compositions exert an enormous influence on the compositional styles and practices of later generations.\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Encore Music","offers":[{"title":"Default Title","offer_id":40058815184955,"sku":"HN593","price":61.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0552\/9275\/6027\/files\/Myproject-1-2023-05-21T123212.212.png?v=1684636355"},{"product_id":"brahms-piano-pieces","title":"Johannes Brahms - Classical Piano Pieces Book ( Op 76, Op 79, Op 116, 117, 118 \u0026 119)","description":"\u003cp\u003e\u003cspan style=\"color: #0f4d2e;\" data-mce-style=\"color: #0f4d2e;\"\u003e\u003cstrong\u003eJohannes Brahms - Piano Pieces Book ( Op 76, Op 79, Op 116, 117, 118 \u0026amp; 119) \u003cmeta charset=\"UTF-8\"\u003e📚\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eStep into the enchanting world of one of the greatest composers, Johannes Brahms, through this exceptional piano pieces book. This carefully curated anthology brings together some of Brahms' most significant works, including selections from Op. 76, Op. 79, Op. 116, Op. 117, Op. 118, and Op. 119, in an authentic Urtext edition. This means that you will experience these compositions just as Brahms intended, free from later editorial changes.\u003cbr\u003e\u003cbr\u003eThe book itself is crafted with meticulous attention to detail, presented in a high-quality classic paperback format. The clean and precise notation ensures a smooth and immersive playing experience, allowing you to delve deep into the essence of Brahms' compositions.\u003cbr\u003e\u003cbr\u003eFor both aspiring pianists and seasoned musicians, this anthology is an alluring gateway to explore the intricate nuances and emotional depth of Brahms' piano cosmos. With each turn of the page, you'll rediscover the charm, power, and timeless beauty that made Brahms a master of the Romantic era.\u003cbr\u003e\u003cbr\u003eAs you immerse yourself in these 159 pages of musical brilliance, you'll embark on a journey that embraces the fiery passion that define Brahms' piano works. Whether you are seeking inspiration, enhancing your repertoire, or simply revelling in the world of classical piano, this book invites you to experience the genius of Brahms and his enduring influence on the world of music.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #0e5841;\" data-mce-style=\"color: #0e5841;\"\u003e\u003cstrong\u003eRepertoire Includes:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul data-item=\"35\" class=\"content-item\"\u003e\n\u003cli class=\"column-title\"\u003e\u003cstrong\u003ePiano Pieces op. 76\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eCapriccio f sharp minor op. 76,1\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eCapriccio b minor op. 76,2\u003c\/li\u003e\n\u003cli class=\"column-difficulty\"\u003eIntermezzo A flat major op. 76,3\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eIntermezzo B flat major op. 76,4\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eCapriccio c sharp minor op. 76,5\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eIntermezzo A major op. 76,6\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eIntermezzo a minor op. 76,7\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eCapriccio C major op. 76,8\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003e\u003cstrong\u003e2 Rhapsodies op. 79\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eRhapsody b minor op. 79,1\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eRhapsody g minor op. 79,2\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003e\u003cstrong\u003eFantasies op. 116\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eCapriccio d minor op. 116,1\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eIntermezzo a minor op. 116,2\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eCapriccio g minor op. 116,3\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eIntermezzo E major op. 116,4\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eIntermezzo e minor op. 116,5\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eIntermezzo E major op. 116,6\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eCapriccio d minor op. 116,7\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003e\u003cstrong\u003e3 Intermezzi op. 117\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eIntermezzo E flat major op. 117,1\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eIntermezzo b flat minor op. 117,2\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eIntermezzo c sharp minor op. 117,3\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003e\u003cstrong\u003ePiano Pieces op. 118\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eIntermezzo a minor op. 118,1\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eIntermezzo A major op. 118,2\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eBallad g minor op. 118,3\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eIntermezzo f minor op. 118,4\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eRomance F major op. 118,5\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eIntermezzo e flat minor op. 118,6\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003e\u003cstrong\u003ePiano Pieces op. 119\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eIntermezzo b minor op. 119,1\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eIntermezzo e minor op. 119,2\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eIntermezzo C major op. 119,3\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eRhapsody E flat major op. 119,4\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/www.henle.de\/images\/sq195\/brahms_johannes.jpg\" data-mce-src=\"https:\/\/www.henle.de\/images\/sq195\/brahms_johannes.jpg\"\u003e\u003c\/p\u003e\n\u003ch3\u003eJohannes Brahms\u003c\/h3\u003e\n\u003cp\u003e\u003cem\u003eHis significant output comprises chamber music, piano works, numerous choral compositions and songs (including settings of folk-song lyrics), as well as large-scale orchestral works in the 1870s and 1880s. His compositions are characterized by the process of developing variation. He is considered an antithesis to the New German School around Liszt, and an advocate of “absolute” music.\u003c\/em\u003e\u003c\/p\u003e\n\u003ctable class=\"table table-piped\" style=\"width: 554px;\" data-mce-style=\"width: 554px;\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 60.9375px;\" data-mce-style=\"width: 60.9375px;\"\u003e1833\u003c\/td\u003e\n\u003ctd style=\"width: 476.062px;\" data-mce-style=\"width: 476.062px;\"\u003eBorn in Hamburg on May 7, the son of a musician. His first piano instruction with Willibald Cossel at age seven, then with Eduard Marxen; first public performances from 1843.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 60.9375px;\" data-mce-style=\"width: 60.9375px;\"\u003e1853\u003c\/td\u003e\n\u003ctd style=\"width: 476.062px;\" data-mce-style=\"width: 476.062px;\"\u003eConcert tour through German cities; he meets Schumann, who announces him as the next great composer in his essay “Neue Bahnen” (“New Paths”). A lifelong, intimate friendship develops with Clara Schumann.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 60.9375px;\" data-mce-style=\"width: 60.9375px;\"\u003e1854–57\u003c\/td\u003e\n\u003ctd style=\"width: 476.062px;\" data-mce-style=\"width: 476.062px;\"\u003ePiano Concerto No. 1 in D minor, Op. 15.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 60.9375px;\" data-mce-style=\"width: 60.9375px;\"\u003e1857–59\u003c\/td\u003e\n\u003ctd style=\"width: 476.062px;\" data-mce-style=\"width: 476.062px;\"\u003eChoir director, pianist, and teacher at the royal court in Detmold.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 60.9375px;\" data-mce-style=\"width: 60.9375px;\"\u003e1859–61\u003c\/td\u003e\n\u003ctd style=\"width: 476.062px;\" data-mce-style=\"width: 476.062px;\"\u003eDirector of the Hamburg Women’s Choir.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 60.9375px;\" data-mce-style=\"width: 60.9375px;\"\u003e1860\u003c\/td\u003e\n\u003ctd style=\"width: 476.062px;\" data-mce-style=\"width: 476.062px;\"\u003eManifesto against the New Germans around Liszt.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 60.9375px;\" data-mce-style=\"width: 60.9375px;\"\u003e1863\u003c\/td\u003e\n\u003ctd style=\"width: 476.062px;\" data-mce-style=\"width: 476.062px;\"\u003eCantata “Rinaldo,” Op. 50.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 60.9375px;\" data-mce-style=\"width: 60.9375px;\"\u003e1863–64\u003c\/td\u003e\n\u003ctd style=\"width: 476.062px;\" data-mce-style=\"width: 476.062px;\"\u003eDirector of the Wiener Singakademie.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 60.9375px;\" data-mce-style=\"width: 60.9375px;\"\u003e1868\u003c\/td\u003e\n\u003ctd style=\"width: 476.062px;\" data-mce-style=\"width: 476.062px;\"\u003ePartial performance in Vienna of “A German Requiem,” Op. 45 (the complete work premiered in Leipzig in 1869)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 60.9375px;\" data-mce-style=\"width: 60.9375px;\"\u003e1871–74\u003c\/td\u003e\n\u003ctd style=\"width: 476.062px;\" data-mce-style=\"width: 476.062px;\"\u003eArtistic director of the Gesellschaft der Musikfreunde (Society of Friends of Music) in Vienna.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 60.9375px;\" data-mce-style=\"width: 60.9375px;\"\u003e1873\u003c\/td\u003e\n\u003ctd style=\"width: 476.062px;\" data-mce-style=\"width: 476.062px;\"\u003eHaydn Variations, Op. 56a, for orchestra.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 60.9375px;\" data-mce-style=\"width: 60.9375px;\"\u003efrom 1877\u003c\/td\u003e\n\u003ctd style=\"width: 476.062px;\" data-mce-style=\"width: 476.062px;\"\u003eHis symphonic output begins with the Symphony No. 1 in C minor, Op. 68 (begun 1862); composition of the Symphony No. 2 in D major, Op. 73; the Symphony No. 3 in F major, Op. 90 (1883); and Symphony No. 4 in E minor, Op. 98 (1884–85): cantabile themes, chamber-music-like style.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 60.9375px;\" data-mce-style=\"width: 60.9375px;\"\u003efrom 1878\u003c\/td\u003e\n\u003ctd style=\"width: 476.062px;\" data-mce-style=\"width: 476.062px;\"\u003eTravels in Italy.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 60.9375px;\" data-mce-style=\"width: 60.9375px;\"\u003e1878\u003c\/td\u003e\n\u003ctd style=\"width: 476.062px;\" data-mce-style=\"width: 476.062px;\"\u003eViolin Concerto in D major, Op. 77, for Joseph Joachim.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 60.9375px;\" data-mce-style=\"width: 60.9375px;\"\u003e1881\u003c\/td\u003e\n\u003ctd style=\"width: 476.062px;\" data-mce-style=\"width: 476.062px;\"\u003ePiano Concerto No. 2 in B-flat major, Op. 83, with a scherzo movement.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 60.9375px;\" data-mce-style=\"width: 60.9375px;\"\u003e1886\u003c\/td\u003e\n\u003ctd style=\"width: 476.062px;\" data-mce-style=\"width: 476.062px;\"\u003eHonorary president of Vienna’s Tonkünstlerverein (Association of Musicians).\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 60.9375px;\" data-mce-style=\"width: 60.9375px;\"\u003e1897\u003c\/td\u003e\n\u003ctd style=\"width: 476.062px;\" data-mce-style=\"width: 476.062px;\"\u003eFour Serious Songs, Op. 121. Dies in Vienna on April 3.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Encore Music","offers":[{"title":"Default Title","offer_id":40058815742011,"sku":"HN564","price":98.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0552\/9275\/6027\/files\/Myproject-1-2023-07-23T031716.895.png?v=1690046270"},{"product_id":"liszt-6-consolations-1st-1850-version-piano","title":"Franz Liszt - 6 Consolations 1st \u0026 1850 Version Piano Book","description":"\u003cp\u003e\u003cspan style=\"color: #4c965a;\"\u003e\u003cstrong\u003eFranz Liszt - 6 Consolations 1st \u0026amp; 1850 Version Piano Book\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThese six little piano pieces are among Liszt's best-known works and are comparatively easy to play a rarity amongst the composer's often eccentric and virtuosic works. In 1844 Liszt, had already begun work on the cycle that was only published in 1850. Although he had the pieces engraved, this version was never actually printed. He replaced no. 3, a precursor to the first Hungarian Rhapsody, with a piece in the style of a nocturne by Chopin (it can occasionally be heard as an encore at piano recitals), and he simplified the remaining numbers.\u003c\/p\u003e\n\u003cp\u003eIn the second part of our edition, we have reproduced the complete early version for the first time. Edited by Ernst-Ganter Heinemann, Auria Eckhardt with fingerings by Klaus Schilde. 48 pages. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFranz Liszt was a Hungarian composer, pianist and teacher of the Romantic period. With a diverse body of work spanning more than six decades, he is considered to be one of the most prolific and influential composers of his era and remains one of the most popular composers in modern concert piano repertoire.\u003c\/em\u003e\u003c\/p\u003e","brand":"Encore Music","offers":[{"title":"Default Title","offer_id":40058815774779,"sku":"HN465","price":54.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0552\/9275\/6027\/files\/HN465.jpg?v=1684317509"},{"product_id":"caprices-24-op-1-violin-solo","title":"Caprices 24 Op 1 Violin Solo","description":"\u003cp\u003ePublished in 1820 as his Opus 1, Paganini gave the violin world a timeless masterpiece violin virtuoso can't ignore. This Henle edition also includes a detailed commentary by the Paganini expert Renato de Barbieri.\u003c\/p\u003e","brand":"Encore Music","offers":[{"title":"Default Title","offer_id":40058815807547,"sku":"HN450","price":126.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0552\/9275\/6027\/files\/HN450.jpg?v=1684317512"},{"product_id":"schubert-impromptus-and-moments-musicaux","title":"Franz Schubert - Impromptus And Moments Musicaux Book","description":"\u003cp\u003e\u003cspan style=\"color: #28794e;\" data-mce-style=\"color: #28794e;\"\u003e\u003cstrong\u003eFranz Schubert - Impromptus And Moments Musicaux Book \u003cmeta charset=\"UTF-8\"\u003e📚\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAn authoritative Urtext Edition of Schubert's Impromptus and Moments Musicaux. Edited and fingered by a pianist who is still greatly admired, Walter Gieseking. Franz Schubert's piano works belong to pianists' core repertoire.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis volume contains the piano works that are played the most: the two collections of four Impromptus (D 899 and D 935) as well as the six Moments Musicaux (D 780). Our edition was first printed in the year that the publishing house was founded, in 1948. 105 pages. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #0b6821;\"\u003e\u003cstrong\u003eTitles Include:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul data-item=\"16\" class=\"content-item\"\u003e\n\u003cli class=\"column-title\"\u003eImpromptu c minor op. 90,1 D 899\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eImpromptu E flat major op. 90,2 D 899\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eImpromptu G flat major op. 90,3 D 899\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eImpromptu A flat major op. 90,4 D 899\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eMoment musical C major op. 94,1 D 780\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eMoment musical A flat major op. 94,2 D 780\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eMoment musical f minor op. 94,3 D 780\u003c\/li\u003e\n\u003cli class=\"column-difficulty\"\u003eMoment musical c sharp minor op. 94,4 D 780\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli class=\"column-difficulty\"\u003eMoment musical f minor op. 94,5 D 780\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli class=\"column-difficulty\"\u003eMoment musical A flat major op. 94,6 D 780\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eImpromptu f minor op. post. 142,1 D 935\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eImpromptu A flat major op. post. 142,2 D 935\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eImpromptu B flat major op. post. 142,3 D 935\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eImpromptu f minor op. post. 142,4 D 935\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003cspan style=\"color: #2a744d;\" data-mce-style=\"color: #2a744d;\"\u003e\u003cstrong\u003eAMEB:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cb\u003ePiano \/ Certificate of Performance \/ List C\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eImpromptu in Gb major No. 3 from 4 Impromptus D 899\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cb\u003ePiano \/ Grade 7 \/ List C\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMoment musical in F minor No. 3 from Moments musicaux Op. 94\/D 780\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cb\u003ePiano \/ Grade 8 \/ List C\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMomen musical in Ab major No. 2 from Moments Musicaux Op. 94\/D780\u003c\/li\u003e\n\u003cli\u003eMomen musical in C sharp minor No. 4 from Moments Musicaux Op. 94\/D780\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cb\u003ePiano for Leisure \/ Certificate of Performance \/ Open Manual list\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eImpromptu in Eb major D 899\/Op 90 No 2\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cb\u003ePiano for Leisure \/ Grade 8 \/ Open Manual list\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eImpromptu in Ab major No 2 from 4 Impromptus Op. 142\/D 935\u003c\/li\u003e\n\u003cli\u003eImpromptu in Ab major No 4 from 4 Impromptus Op. 90\/D 899\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"content\"\u003e\n\u003ch4\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFranz Schubert\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp\u003e\u003cem\u003eHe is not only the inaugurator of the art song and its most important composer in the nineteenth century, but he also realised a compositional concept in his instrumental works that opposed Viennese Classicism. Underlying the “heavenly length” of his works is a configuration of time that does not function according to the principle of motivic development, but addresses the notion of lingering; modifications occur mostly not in continuous unfolding, but through sudden eruptions. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eHis ornate songs contradict the ideal of simplicity in the Lied aesthetics of his time, and provide the basis for the art song of the nineteenth century, regarded as they were as exemplary by subsequent generations of composers; they are defined by complex harmonies, an integration of the idioms of instrumental music, semantic models, and a new relationship between text and music in which the poem as a whole is interpreted through the composition, rather than just through word painting. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eHis immense oeuvre in spite of his brief life comprises 600 songs, including his two famous song cycles; seven complete and several unfinished symphonies (including the “Unfinished” in B minor); other orchestral works; numerous pieces of chamber music; fourteen complete and several unfinished piano sonatas as well as other piano pieces; dances for piano and four-hand works; six masses and other sacred compositions; numerous pieces for choir or vocal ensemble, especially for male voices. Although he also contributed to every genre of music theatre and his friends predicted a career for him in opera, only two of his ten finished operas were performed during his lifetime, as was the incidental music to “Rosamunde.”\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Encore Music","offers":[{"title":"Default Title","offer_id":40058815840315,"sku":"HN4","price":65.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0552\/9275\/6027\/files\/Myproject-1-2023-05-20T183336.657.png?v=1693545610"},{"product_id":"debussy-preludes-bk-2","title":"Debussy - Preludes Bk 2","description":"\u003cp\u003eIn 1913, three years after publication of the Preludes I, another collection of twelve Preludes appeared. The pieces are longer and make use of a very wide register, which is why Debussy mainly notated them on three staves. As with the first volume of Preludes the programmatic additions only appeared at the end of each piece. The cycle closes with the virtuosic and brilliant Feux d'artifice, fireworks of pianistic bravura in thetrue sense of the word. The piano writing and title of no. 11, Les tier ces alternees, already hints at the twelve Etudes of 1915 (HN 390) with which Debussy was to end his piano ¬¨¬®‚àö‚à´uvre. Edited by Ernst-Ganter Heinemann with fingerings by Hans-Martin Theopold and a preface by Francois Lesure.\u003c\/p\u003e","brand":"Encore Music","offers":[{"title":"Default Title","offer_id":40058815873083,"sku":"HN384","price":84.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0552\/9275\/6027\/files\/HN384.jpg?v=1684317528"},{"product_id":"debussy-preludes-bk-1","title":"Claude Debussy -  Preludes Piano Book 1 (Urtext Edition)","description":"\u003cp\u003e\u003cspan style=\"color: rgb(11, 88, 50);\"\u003e\u003cstrong\u003eClaude Debussy -  Preludes Piano Book 1 (Urtext Edition)\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAfter several single pieces and several smaller piano cycles, in 1910 the recently composed Preludes, Premier Livre was published. The title draws on a traditional form, following Chopin's example. In addition Debussy discreetly characterised his Preludes by dispensing with titles but giving the pieces programmatic directions at the end of each Prelude.\u003c\/p\u003e\n\u003cp\u003eThis first volume became an immediate success and even today is considered to be the epitome of Debussy's piano artistry. Late Intermediate to Advanced piano level. 62 pages. Composer: \u003cem\u003eClaude Debussy\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan style=\"color: #207854;\" data-mce-style=\"color: #207854;\"\u003e\u003cstrong\u003eThe features of the Debussy \u003cmeta charset=\"utf-8\"\u003ePreludes Book 1 Henle Urtext editions at a glance:\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003ea scholarly, critical Urtext edition on the basis of all available sources, always kept up-to-date\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eoptimisations of the musical score as a result of continuous usage in musical practice\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eall important information about musical passages included in footnotes on the same page\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003enotational settings of unmatched beauty and accuracy thanks to traditional musical hand-engraving\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003efingering suggestions by Conrad Hansen \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eavailable in two collected volumes with fingerings, paperbound or clothbound\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eavailable without fingerings, paperbound\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eeach sonata also available separately \u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(4, 88, 11);\"\u003e\u003cstrong\u003eAMEB:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cb\u003ePiano \/ Certificate of Performance \/ List D\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eLes sons et les parfums tournent dans l'air du soir [The sounds and fragranes swirl through the evening air] No. 4 from Preludes Book 1 L 117\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cb\u003ePiano \/ Grade 7 \/ List D\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eLa fille aux cheveux de lin [The Girl with the flaxen hair] No. 8 from Preludes Book 1 L 117\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cb\u003ePiano \/ Grade 8 \/ List D\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDanseuses de Delphe [Dancers of Delphi] No. 1 from Preludes Book 1 L 117\u003c\/li\u003e\n\u003cli\u003eDes pas sur la neige [Footsteps in the snow] No. 6 from Preludes Book 1 L 117\u003c\/li\u003e\n\u003cli\u003eLa cathedrale engloutie [The submerged cathedral] No. 10 from Preludes Book 1 L 117\u003c\/li\u003e\n\u003cli\u003eLa serenade interrompue [Interrupted serenade] No. 9 from Preludes Book 1 L 117\u003c\/li\u003e\n\u003cli\u003eVoiles [Veils\/Sails] No. 2 from Preludes Book 1 L 117\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cb\u003ePiano for Leisure \/ Grade 7 \/ Open Manual list\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eLa fille aux cheveux de lin No 8 from Preludes Book 1\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan style=\"color: #000000;\" data-mce-style=\"color: #000000;\"\u003e\u003cstrong\u003eClaude Debussy\u003c\/strong\u003e was a French composer. He is sometimes seen as the first Impressionist composer, although he vigorously rejected the term. He was among the most influential composers of the late 19th and early 20th centuries.\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan dir=\"ltr\" lang=\"fr\"\u003eClaude Deb\u003cspan style=\"color: #000000;\" data-mce-style=\"color: #000000;\"\u003eussy's Preludes\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"color: #000000;\" data-mce-style=\"color: #000000;\"\u003e are 24 pieces for solo piano, divided into two books of 12 preludes each. Unlike some notable collections of preludes from prior times, such as Chopin's Op. 28 Preludes or the preludes from Johann Sebastian Bach's, The Well-Tempered Clavier Debussy's do not follow a strict pattern of tonal centres. \u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\u003cspan style=\"color: #000000;\" data-mce-style=\"color: #000000;\"\u003eEach book was written in a matter of months, at an unusually fast pace for Debussy. Book I was written between December 1909 and February 1910, and Book II between the last months of 1912 and early April 1913.\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e","brand":"Encore Music","offers":[{"title":"Default Title","offer_id":40058815905851,"sku":"HN383","price":79.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0552\/9275\/6027\/files\/Myproject-1-2024-12-09T024655.113.png?v=1733676443"},{"product_id":"beethoven-piano-sonatas-bk-2-urtext","title":"Ludwig Van Beethoven - Sonatas Volume 2 Piano Urtext Edition Book (With Fingering)","description":"\u003cp\u003e\u003cspan style=\"color: rgb(4, 92, 19);\"\u003e\u003cstrong\u003eLudwig Van Beethoven - Sonatas Volume 2 Piano Urtext Edition Book \u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003ePaperbound Urtext Edition with Fingering\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eBeethoven’s 32 piano sonatas unfurl before us a virtually inexhaustible wealth of pianistic and musical flights of fancy, predominantly works of the greatest familiarity in piano lessons, concert halls, and recordings. Hans von Bulow emphasised the importance and significance of Beethoven’s piano sonatas with his bon mot that they constituted the “New Testament of music.” 336 pages. \u003c\/p\u003e\n\u003cp\u003eThe 32 sonatas with opus numbers are a conscious choice; the three “Electoral” Sonatas by the thirteen-year-old boy, WoO 47, are not included in the “New Testament.” These are available from Henle in a separate Urtext edition (HN 255). G. Henle Publishers also offers every Beethoven sonata as a standalone Urtext edition (in print or in the app).\u003c\/p\u003e\n\u003cp\u003eFor decades, the two-volume Henle Urtext edition of Beethoven’s piano sonatas has maintained its status across the globe as the standard edition of reference among pianists. \u003c\/p\u003e\n\u003cp\u003eAfter its publication at the beginning of the 1950s, edited by the Munich musicologist Bertha Antonia Wallner – with the support of the Beethoven Archive in Bonn – this outstanding editorial achievement was quickly recognised by the world of pianists as a new benchmark. Its decades-long, rigorous field testing led to improvements and refinements such that this Henle Urtext edition of Beethoven’s piano sonatas is universally regarded today as the reference source.\u003c\/p\u003e\n\u003cp\u003eThe printed fingerings provided by the pianist and important musical pedagogue Conrad Hansen are regarded as meaningful suggestions for solving technical and musical problems: “as few fingerings as possible, albeit instructive ones” (Hansen).\u003c\/p\u003e\n\u003cp\u003eG. Henle Publishers also offers the Beethoven sonatas in an alternative Urtext print edition without any fingerings (HN 1032 and HN 1034), as well as a pocket score in our study score series (HN 9032 and HN 9034) And interested parties may also find the sonatas in the digital version in the “Henle Library” app, here in conjunction with a variety of subjective, selectable fingerings by the likes of Eugen d’Albert, Claudio Arrau, Conrad Hansen and Artur Schnabel.\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(9, 90, 30);\"\u003e\u003cstrong\u003eContents Includes:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003ePiano Sonata G major Op. 31 No. 1 – Difficult (Level 8, ABRSM: LRSM)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePiano Sonata d minor Op. 31 No. 2 ‘Tempest’ – Difficult (Level 8, ABRSM: LRSM)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePiano Sonata E flat major Op. 31 No. 3 – Difficult (Level 7, ABRSM: LRSM)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePiano Sonata g minor Op. 49 No. 1 – Easy (Level 3)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePiano Sonata G major Op. 49 No. 2 – Easy (Level 3)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePiano Sonata C major Op. 53 ‘Waldstein’ – Difficult (Level 9, ABRSM: FRSM)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePiano Sonata F major Op. 54 – Difficult (Level 7, ABRSM: ARSM)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePiano Sonata f minor Op. 57 ‘Appassionata’ – Difficult (Level 9, ABRSM: FRSM)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePiano Sonata F sharp major Op. 78 – Difficult (Level 7)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePiano Sonata G major Op. 79 ‘Sonatina’ – Medium (Level 6)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePiano Sonata E flat major Op. 81a ‘Les Adieux’ – Difficult (Level 7, ABRSM: LRSM)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePiano Sonata e minor Op. 90 – Difficult (Level 7, ABRSM: ARSM)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePiano Sonata A major Op. 101 – Difficult (Level 9, ABRSM: FRSM)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePiano Sonata B flat major Op. 106 ‘Hammerklavier’ – Difficult (Level 9)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePiano Sonata E major Op. 109 – Difficult (Level 8, ABRSM: FRSM)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePiano Sonata A flat major Op. 110 – Difficult (Level 8, ABRSM: FRSM)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePiano Sonata c minor Op. 111 – Difficult (Level 9, ABRSM: FRSM)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(9, 96, 32);\"\u003e\u003cstrong\u003eAMEB:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cb\u003ePiano for Leisure \/ Certificate of Performance \/ Open Manual list\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eLargo - Allegro 1st movement from Sonata in D minor Op. 31 No 2\u003c\/li\u003e\n\u003cli\u003eNicht zu geschwind und sehr singbar vorgetragen 2nd movement from Sonata in E minor Op. 90\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cb\u003ePiano for Leisure \/ Grade 5 \/ Open Manual list\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eTempo di minuetto 2nd movement from Sonata in G major Op. 49 No 2\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cb\u003ePiano for Leisure \/ Grade 6 \/ Open Manual list\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAndante 2nd movement from Sonata in G major Op. 79\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cb\u003ePiano for Leisure \/ Grade 7 \/ Open Manual list\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMenuetto 3rd movement from Sonata in Eb major Op. 31 No 3\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cb\u003ePiano for Leisure \/ Grade 8 \/ Open Manual list\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ePresto con fuoco 4th movement from Sonata in Eb major Op. 31 No 3\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Encore Music","offers":[{"title":"Default Title","offer_id":40058815938619,"sku":"HN34","price":142.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0552\/9275\/6027\/files\/Myproject-3-2025-09-25T164547.913.png?v=1758783009"},{"product_id":"bach-flute-sonatas-vol-2","title":"Bach - Flute Sonatas Vol 2","description":"\u003cp\u003eAn authoritative Urtext edition of Flute Sonatas Volume II (The Three Sonatas attributed to J. S. Bach), edited by Hans Eppstein for Flute and Harpsichord (Piano) with a Violoncello Part. Contents: Sonata C major BWV1033; Sonata E flat major BWV 1031; Sonata G minor BWV 1020.\u003c\/p\u003e","brand":"Encore Music","offers":[{"title":"Default Title","offer_id":40058816233531,"sku":"HN328","price":74.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0552\/9275\/6027\/files\/HN328.jpg?v=1684317544"},{"product_id":"mendelssohn-songs-without-words-urtext","title":"Mendelssohn: Volume III -  Songs Without Words Urtext Book","description":"\u003cp\u003e\u003cspan style=\"color: #237852;\" data-mce-style=\"color: #237852;\"\u003e\u003cstrong\u003e\u003cspan style=\"color: #105938;\"\u003eFelix Bartholdy Mendelssohn: Volume III -Songs Without Words Urtext\u003c\/span\u003e\u003cem\u003e\u003cspan style=\"color: #105938;\"\u003e \u003c\/span\u003e\u003cmeta charset=\"UTF-8\"\u003e📚\u003c\/em\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWhen Mendelssohn learned from his publisher Nikolaus Simrock that he was to receive an additional honorarium for a part of his “Lieder ohne Worte”, he effusively thanked him for this gift. However, the gift that Mendelssohn, in his turn, made to posterity with these Songs Without Words could probably not have been foreseen even by him at the time. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThese “Original Melodies”, “Romanzen” or “Clavierstücke”, which only later gained the title “Lieder ohne Worte”, enjoyed great success during the composer’s lifetime, and should be included amongst the most rewarding pieces of 19th-century piano literature. Our volume contains the complete “Lieder ohne Worte” published during his lifetime and posthumously.\u003c\/span\u003e 195 pages.\u003c\/p\u003e\n\u003cp\u003eThese tone pictures offer the pianist a wide variety of moods and emotions as well as the means to develop expressiveness in their playing. Edited by Rudolf Elvers and Ernst Herttrich with fingering by Hans-Martin Theopold. Includes: Op. 19, 30, 38, 53, 62, 67, 85, 102. \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eWhy Choose Urtext Editions?\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eUrtext editions offer error-free and dependable musical texts that result from thorough musicological research. They include fingerings and bowings by renowned artists and pedagogues. These editions provide prefaces in three languages, offering insights into the work's genesis and historical context.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIn addition, they feature critical commentaries in one to three languages, providing descriptions and assessments of the sources while explaining any discrepancies in the sources and the editorial decisions made. Urtext editions are known for their exceptionally beautiful music engraving and offer convenient page-turns, fold-out pages, and helpful cues where needed.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFurthermore, Urtext editions are renowned for their excellent print quality and durable binding. With the largest Urtext catalog worldwide and a history dating back to 1948, they offer unparalleled expertise in producing high-quality \"Urtext\" editions.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #215c44;\"\u003e\u003cstrong\u003eTitles Include:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul data-item=\"56\" class=\"content-item\"\u003e\n\u003cli class=\"column-title\"\u003eSong without Words E major op. 19,1\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eSong without Words a minor op. 19,2\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eSong without Words A major op. 19,3\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eSong without Words A major op. 19,4\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eSong without Words f sharp minor op. 19,5\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eSong without Words (Venetian Gondola Song) g minor op. 19,6\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eSong without Words E flat major op. 30,1\u003c\/li\u003e\n\u003cli class=\"column-difficulty\"\u003eSong without Words b flat minor op. 30,2\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli class=\"column-difficulty\"\u003eSong without Words E major op. 30,3\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eSong without Words b minor op. 30,4\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eSong without Words D major op. 30,5\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eSong without Words (Venetian Gondola Song) f sharp minor op. 30,6\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eSong without Words E flat major op. 38,1\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eSong without Words c minor op. 38,2\u003c\/li\u003e\n\u003cli class=\"column-difficulty\"\u003eSong without Words E major op. 38,3\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eSong without Words A major op. 38,4\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eSong without Words a minor op. 38,5\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eSong without Words (Duetto) A flat major op. 38,6\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eSong without Words A flat major op. 53,1\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eSong without Words E flat major op. 53,2\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eSong without Words g minor op. 53,3\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eSong without Words F major op. 53,4\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eSong without Words a minor op. 53,5\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eSong without Words A major op. 53,6\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eSong without Words G major op. 62,1\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eSong without Words B flat major op. 62,2\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eSong without Words e minor op. 62,3\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eSong without Words G major op. 62,4\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eSong without Words (Venetian Gondola Song) a minor op. 62,5\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eSong without Words (Spring Song) A major op. 62,6\u003c\/li\u003e\n\u003cli class=\"column-difficulty\"\u003eSong without Words E flat major op. 67,1\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eSong without Words f sharp minor op. 67,2\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eSong without Words B flat major op. 67,3\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eSong without Words C major op. 67,4\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eSong without Words b minor op. 67,5\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eSong without Words E major op. 67,6\u003c\/li\u003e\n\u003cli class=\"column-difficulty\"\u003eSong without Words F major op. 85,1\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eSong without Words a minor op. 85,2\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eSong without Words E flat major op. 85,3\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eSong without Words D major op. 85,4\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eSong without Words A major op. 85,5\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eSong without Words B flat major op. 85,6\u003c\/li\u003e\n\u003cli class=\"column-difficulty\"\u003eSong without Words e minor op. 102,1\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eSong without Words D major op. 102,2\u003c\/li\u003e\n\u003cli class=\"column-difficulty\"\u003eSong without Words C major op. 102,3\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli class=\"column-difficulty\"\u003eSong without Words g minor op. 102,4\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli class=\"column-difficulty\"\u003eSong without Words A major op. 102,5\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eSong without Words C major op. 102,6\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eSong without Words (Rider's Song) d minor\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"color: #1a603e;\"\u003e\u003cstrong\u003eAMEB:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cb\u003ePiano \/ Grade 5 \/ List C\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eVenetian Boat Song No. 6 in G minor from Songs Without Words Op. 19b\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cb\u003ePiano \/ Grade 7 \/ List C\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eLied ohne Worte in C major No. 3 from Songs Without Words Op. 102\u003c\/li\u003e\n\u003cli\u003eLied ohne Worte in Eb major No. 2 from Songs Without Words Op. 53\u003c\/li\u003e\n\u003cli\u003eLied ohne Worte in G minor No. 4 from Songs Without Words Op. 102\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cb\u003ePiano for Leisure \/ Certificate of Performance \/ Open Manual list\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAndante con moto No 1 from Songs without Words Op. 53\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cb\u003ePiano for Leisure \/ Grade 8 \/ Open Manual list\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDuetto in Ab major No 6 from Songs without Words Op. 38\u003c\/li\u003e\n\u003cli\u003eLied ohne Worte in C major No 4 from Songs without Words Op. 67\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"content\"\u003e\n\u003ch4\u003e\u003cem\u003eFelix Mendelssohn Bartholdy\u003c\/em\u003e\u003c\/h4\u003e\n\u003cp\u003e\u003cem\u003eA German composer, conductor, pianist, and organist who already numbered among the most important composers in Europe during his lifetime. While still young he found a unique tonal language. Reflected in his oeuvre, which spans all genres, are the contradictory tendencies of the age – Classicism and Romanticism. His endeavours over the course his life to perform the works of Johann Sebastian Bach led to a “rediscovery” of that composer which continues unabated. His intensive engagement with Bach and his counterpoint influenced his own compositional technique.\u003c\/em\u003e\u003c\/p\u003e\n\u003ctable class=\"table table-piped\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e1809\u003c\/td\u003e\n\u003ctd\u003eBorn into a wealthy banker’s family in Hamburg on February 3. Escape to Berlin with his parents in 1811. First musical instruction from his mother.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e1819\u003c\/td\u003e\n\u003ctd\u003eHe becomes a pupil of Carl Friedrich Zelter.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e1820\u003c\/td\u003e\n\u003ctd\u003eJoins the Sing-Akademie in Berlin.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e1821–23\u003c\/td\u003e\n\u003ctd\u003eTwelve sinfonias for strings.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e1825\u003c\/td\u003e\n\u003ctd\u003eString Octet in E-flat major, Op. 20.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e1826\u003c\/td\u003e\n\u003ctd\u003eOverture to “A Midsummer Night’s Dream,” Op. 21\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e1827\u003c\/td\u003e\n\u003ctd\u003eBegins studies at the University of Berlin.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e1829\u003c\/td\u003e\n\u003ctd\u003eRevival of Bach’s St. Matthew Passion in Berlin on March 11 and 21. Travels to England and Scotland.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e1829–30\u003c\/td\u003e\n\u003ctd\u003e“Reformation” Symphony in D minor, [Op. 107], with inclusion of the choral “Ein feste Burg“ (A Mighty Fortress Is Our God.)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e1830–32\u003c\/td\u003e\n\u003ctd\u003eExtended travels, including to Italy and France. Piano Concerto in G minor, Op. 25; Overture in B minor, Op. 26, “The Hebrides, or Fingal’s Cave” (1829–30).\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e1833\u003c\/td\u003e\n\u003ctd\u003eMusic director in Düsseldorf. “Italian” Symphony in A major, Op. 90 (1830–33).\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e1835\u003c\/td\u003e\n\u003ctd\u003eDirector of the Gewandhaus concerts in Leipzig.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e1836\u003c\/td\u003e\n\u003ctd\u003ePremiere in Düsseldorf of his oratorio “St. Paul: Oratorio on Words of the Holy Bible,” Op. 36.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e1838-44\u003c\/td\u003e\n\u003ctd\u003eViolin Concerto in E minor, Op. 64.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Encore Music","offers":[{"title":"Default Title","offer_id":40058816266299,"sku":"HN327","price":105.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0552\/9275\/6027\/files\/Untitled_36_ddf37af3-69f9-4768-a029-ca8afef689ea.png?v=1699796060"},{"product_id":"beethoven-piano-sonatas-bk-1-urtext","title":"Beethoven - Piano Sonatas Book 1 - Urtext Edition","description":"\u003cp\u003e\u003cspan style=\"color: rgb(10, 95, 42);\"\u003e\u003cstrong\u003eLudwig Van Beethoven - Piano Sonatas Book 1 - Urtext Edition\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e32 Piano Sonatas\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp\u003eBeethoven's 32 piano sonatas are often referred to as the 'New Testament of Music' (Hans von Balow), an almost inexhaustible wealth of pianistic musical flights of inspiration and predominantly high profile works. This Henle Edition has been hailed by experts as the most reliable Urtext edition.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cstrong\u003eBook 1\u003c\/strong\u003e is an almost inexhaustible wealth of pianistic, musical flights of inspiration, predominantly high profile works – the Sonatas \"Pathétique\", \"Moonlight\", \"Storm\", \"Appassionata\", \"Waldstein\", \"Hammerklavier\".Contains the following pieces: Piano Sonata No. 1 in F Minor, Op. 2, No. 1 ; Piano Sonata No. 2 in A Major, Op. 2, No. 2 ; Piano Sonata No. 3 in C Major, Op. 2, No. 3 ; Piano Sonata No. 4 in E-flat Major, Op. 7 ; Piano Sonata No. 5 in C Minor, Op. 10, No. 1 ; Piano Sonata No. 6 in F Major, Op. 10, No. 2 ; Piano Sonata No. 7 in D Major, Op. 10, No. 3 ; Piano Sonata No. 8 in C Minor (\"Grande Sonata Pathetique\"), Op. 13 ; Piano.\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003cbr\u003eThe printed fingerings provided by the pianist and important musical pedagogue Conrad Hansen are regarded as meaningful suggestions for solving technical and musical problems: “as few fingerings as possible, albeit instructive ones” (Hansen).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(4, 90, 23);\"\u003e\u003cstrong\u003eAMEB:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cb\u003ePiano for Leisure \/ Certificate of Performance \/ Open Manual list\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAllegro vivace 1st movement from Sonata in A major Op. 2 No 2\u003c\/li\u003e\n\u003cli\u003eFinale: Prestissimo 3rd movement from Sonata in C minor Op. 10 No 1\u003c\/li\u003e\n\u003cli\u003ePrestissimo 4th movement from Sonata in F minor Op. 2 No 1\u003c\/li\u003e\n\u003cli\u003eRondo: Grazioso 4th movement from Sonata in A major Op. 2 No 2\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cb\u003ePiano for Leisure \/ Grade 7 \/ Open Manual list\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAllegro 1st movement from Sonata in F minor Op. 2 No 1\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cb\u003ePiano for Leisure \/ Grade 8 \/ Open Manual list\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAllegro molto e con brio 1st movement from Sonata in C minor Op. 10 No 1\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003e\u003cbr\u003e\u003cspan style=\"color: #207854;\"\u003e\u003cstrong\u003eThe Features of the Beethoven Piano Sonatas in Henle Urtext editions at a glance:\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003ea scholarly, critical Urtext edition on the basis of all available sources, always kept up-to-date\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eoptimisations of the musical score as a result of continuous usage in musical practice\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eall important information about musical passages included in footnotes on the same page\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003enotational settings of unmatched beauty and accuracy thanks to traditional musical hand-engraving\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003efingering suggestions by Conrad Hansen \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eavailable in two collected volumes with fingerings, paperbound or clothbound\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eavailable without fingerings, paperbound\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eeach sonata also available separately \u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Encore Music","offers":[{"title":"Default Title","offer_id":40058816299067,"sku":"HN32","price":144.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0552\/9275\/6027\/files\/Myproject-1_65_4c23943b-a403-442a-86d7-0cd692bcf66f.png?v=1733951261"},{"product_id":"clementi-selected-sonatas-vol-1-urtext","title":"Clementi - Selected Sonatas Volume 1 Piano Book (Urtext Edition)","description":"\u003cp\u003e\u003cspan style=\"color: rgb(8, 82, 37);\"\u003e\u003cstrong\u003eMuzio Clementi - Selected Sonatas Volume 1 Piano Book \u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUrtext Edition\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis collection presents ten of Muzio Clementi’s piano sonatas, carefully selected to offer a glimpse into his sonata compositions from 1768 to 1785. Known for shaping the Classical era, Clementi's works combine fine part-writing with a formal, dignified classicism.\u003c\/p\u003e\n\u003cp\u003eThis Urtext edition is based on the original versions of the pieces published in the 1770s and 1780s, offering an authentic view of his artistry. With pieces ranging from moderately difficult to difficult, this 98-page volume will provide pianists a deeper understanding of Clementi’s work and his influence on the Classical era.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(9, 98, 46);\"\u003e\u003cstrong\u003ePieces Include:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"o-list o-list--bulleted\"\u003e\n\u003cli\u003eClementi: Piano Sonata in G major, WO 14\u003c\/li\u003e\n\u003cli\u003eClementi: Sonata in A Major, Op. 10 No. 1\u003c\/li\u003e\n\u003cli\u003eClementi: Sonata in A Major, Op. 2 No. 4\u003c\/li\u003e\n\u003cli\u003eClementi: Sonata in B flat Major, Op. 24 No. 2\u003c\/li\u003e\n\u003cli\u003eClementi: Sonata in B flat Major, Op. 8 No. 3\u003c\/li\u003e\n\u003cli\u003eClementi: Sonata in E flat Major, Op. 9 No. 3\u003c\/li\u003e\n\u003cli\u003eClementi: Sonata in F minor, Op. 13 No. 6\u003c\/li\u003e\n\u003cli\u003eClementi: Sonata in G minor, Op. 7 No. 3\u003c\/li\u003e\n\u003cli\u003eClementi: Sonata in G minor, Op. 8 No. 1 \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(9, 90, 43);\"\u003e\u003cstrong\u003eAMEB:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cb\u003ePiano \/ Associate \/ List A\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSonata in Bb major Op. 24 No. 2\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cb\u003ePiano \/ Certificate of Performance \/ List B\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSonata in A major Op. 10 No. 1 (Clementi: Piano sonatas Volume 1)\u003c\/li\u003e\n\u003cli\u003eSonata in F minor Op. 13 No. 6 (Clementi: Piano sonatas Volume 1)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eMuzio Clementi-\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eMuzio Clementi was an influential Italian composer and pianist who played a key role in shaping the Classical era. Born before Mozart and outliving Beethoven, he is best known for his piano sonatas and pedagogical works, particularly the Gradus ad Parnassum. While often overshadowed by other composers, Clementi’s contributions to piano technique and his sophisticated approach to counterpoint and part-writing earned him respect as a pioneering figure in classical music.\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Encore Music","offers":[{"title":"Default Title","offer_id":40058816331835,"sku":"HN317","price":101.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0552\/9275\/6027\/files\/Myproject-4_92_76fa5978-3ad3-4fef-ac4e-87951cc7ac10.png?v=1741706828"},{"product_id":"brahms-51-exercises-for-piano-urtext","title":"Brahms - 51 Exercises For Piano Urtext","description":"\u003cp\u003eTeaching the piano was an important source of income for Brahms, as it was for many nineteenth-century composers. This gave rise to collections of exercises which at first he only occasionally wrote down, but later shared with other pianists (e. g. Clara Schumann). It was only after he had largely given up this educational and pianistic activity that he considered publishing them. In order to reflect their level, he suggested 'all kinds of instruments of torture, from the thumb screw to the iron maiden' for the title page. We are now publishing this collection, which is essential for Romantic piano playing, as an Urtext edition, following the musical text of the New Brahms Complete Edition.?\u003c\/p\u003e","brand":"Encore Music","offers":[{"title":"Default Title","offer_id":40058816561211,"sku":"HN27","price":87.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0552\/9275\/6027\/files\/HN27.jpg?v=1684317573"},{"product_id":"chopin-impromptus-urtext-ed-zimmermann-theopold","title":"Chopin - Impromptus For Piano Book (Urtext Edition)","description":"\u003cp\u003e\u003cspan style=\"color: rgb(6, 108, 37);\"\u003e\u003cstrong\u003eFrederic Chopin - Impromptus For Piano Book (Urtext Edition)\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLevel: Advanced\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDelve into the expressive and spontaneous world of Chopin's Impromptus with this authoritative Urtext edition. Edited by the esteemed Ewald Zimmermann, renowned for his meticulous scholarship on Chopin and recipient of the Chopin Medal by the Chopin Society in Warsaw, this edition offers an in-depth exploration of these works.\u003c\/p\u003e\n\u003cp\u003eIdeal for advanced players, the book includes all four Impromptus, characterised by their improvisational quality that captures a sense of freedom and spontaneity. Complete with detailed editorial markings and suggestions, this 56-page book provides a reliable and enriching resource for pianists seeking to master these challenging and beautiful pieces.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(6, 96, 29);\"\u003e\u003cstrong\u003eContents Includes:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e1. Fantaisie-Impromptu in C-sharp minor, Op. 66\u003cbr\u003e2. Impromptu in A-flat major, Op. 29\u003cbr\u003e3. Impromptu in F-sharp major, Op. 36\u003cbr\u003e4. Impromptu in G-flat major, Op. 51\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(5, 112, 38);\"\u003e\u003cstrong\u003eAMEB:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cb\u003ePiano \/ Certificate of Performance \/ List C\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFantasie-impromptu in C sharp minor Op. 66\/CT 46\u003c\/li\u003e\n\u003cli\u003eImpromptu in Ab major Op. 29\/CT 43\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cb\u003ePiano for Leisure \/ Certificate of Performance \/ Open Manual list\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFantasie impromptu in C# minor Op. 66\/CT 46\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Encore Music","offers":[{"title":"Default Title","offer_id":40058817151035,"sku":"HN235","price":54.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0552\/9275\/6027\/files\/Myproject-1_41_2add6b92-ceec-469a-bf73-b7e4a11b84f1.png?v=1728195607"},{"product_id":"chopin-polonaises","title":"Chopin - Polonaises","description":"\u003cp\u003eChopin's 17 Polonaises are all included in this highly authoritative Urtext edition with detailed editorial markings and suggestions by Ewald Zimmermann and fingering by Hans-Martin Theopold. Medium to Advanced levels.\u003c\/p\u003e","brand":"Encore Music","offers":[{"title":"Default Title","offer_id":40058817183803,"sku":"HN217","price":90.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0552\/9275\/6027\/files\/HN217.jpg?v=1684317587"},{"product_id":"mozart-piano-sonatas-vol-2-urtext","title":"Mozart - Piano Sonatas Volume 2 Urtext Book","description":"\u003cp\u003e\u003cspan style=\"color: #0e792c;\"\u003e\u003cstrong\u003e\u003cspan style=\"color: #0c5921;\"\u003eWolfgang Amadeus Mozart - Piano Sonatas Volume II - Urtext Edition \u003c\/span\u003e\u003cmeta charset=\"UTF-8\"\u003e📚\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Second Volume of Mozart's Piano Sonatas Nos 10-18\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThis is the second volume of Mozart's Piano Sonatas, featuring sonatas from Nos. 10 to 18. These meticulously edited pieces provide the most accurate realisation of the composer's original intentions.\u003cbr\u003e\u003cbr\u003eThe \"Mozart - Piano Sonatas Volume 1 - Urtext Edition\" is a comprehensive collection of Mozart's Piano Sonatas, meticulously edited and enriched with authoritative editorial markings and suggestions. Edited by Ernst Herttrich and fingered by Hans-Martin Theopold, this Urtext edition faithfully represents the composer's original intentions.\u003cbr\u003e\u003cbr\u003eComposed by Wolfgang Amadeus Mozart and edited by Ernst Herttrich, this volume is an essential addition to any pianist's repertoire. With 174 pages of classical music, it offers a rich selection of Mozart's sonatas for piano enthusiasts.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eWhy Choose Urtext Editions?\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003eUrtext editions offer error-free and dependable musical texts that result from thorough musicological research. They include fingerings and bowings by renowned artists and pedagogues. These editions provide prefaces in three languages, offering insights into the work's genesis and historical context.\u003cbr\u003e\u003cbr\u003eIn addition, they feature critical commentaries in one to three languages, providing descriptions and assessments of the sources while explaining any discrepancies in the sources and the editorial decisions made. Urtext editions are known for their exceptionally beautiful music engraving and offer convenient page-turns, fold-out pages, and helpful cues where needed.\u003cbr\u003e\u003cbr\u003eFurthermore, Urtext editions are renowned for their excellent print quality and durable binding. With the largest Urtext catalog worldwide and a history dating back to 1948, they offer unparalleled expertise in producing high-quality \"Urtext\" editions.\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"color: #06501b;\"\u003e\u003cstrong\u003eContents Includes:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ePiano Sonata C major K. 330 (300h)\u003c\/li\u003e\n\u003cli\u003ePiano Sonata (Alla Turca) A major K. 331 (300i)\u003c\/li\u003e\n\u003cli\u003ePiano Sonata F major K. 332 (300k)\u003c\/li\u003e\n\u003cli\u003ePiano Sonata B flat major K. 333 (315c)\u003c\/li\u003e\n\u003cli\u003eFantasy and Sonata c minor K. 475\/457\u003c\/li\u003e\n\u003cli\u003ePiano Sonata F major K. 533\/494\u003c\/li\u003e\n\u003cli\u003ePiano Sonata (Sonata facile) C major K. 545\u003c\/li\u003e\n\u003cli\u003ePiano Sonata B flat major K. 570\u003c\/li\u003e\n\u003cli\u003ePiano Sonata D major K. 576\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(6, 71, 46);\"\u003e\u003cstrong\u003eAMEB:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cb\u003ePiano \/ Certificate of Performance \/ List B\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSonata in C major K 545\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cb\u003ePiano \/ Grade 8 \/ List B\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAllegro 3rd movement from Sonata in F major K 332 (300k)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cb\u003ePiano for Leisure \/ Certificate of Performance \/ Open Manual list\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAllegro moderato 1st movement from Sonata in C major K 330\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003e\u003cstrong\u003eWho Was Wolfgang Amadeus Mozart?\u003c\/strong\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWolfgang Amadeus Mozart (1756–1791) was an Austrian composer and musician, widely considered one of the greatest composers in the history of Western classical music. Born in Salzburg, Mozart showed prodigious talent from a young age, composing his first music at just five years old. He went on to produce an enormous body of work, including symphonies, operas, chamber music, piano works, and choral compositions, despite his short life—he died at the age of 35.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMozart's music is known for its emotional depth, technical brilliance, and melodic inventiveness. His compositions spanned virtually every musical form and genre of his time, and his influence on subsequent generations of composers is incalculable. Some of his most famous works include the operas \"The Marriage of Figaro,\" \"Don Giovanni,\" and \"The Magic Flute,\" as well as symphonies like Symphony No. 40 in G Minor and his Requiem Mass in D Minor. His works are regularly performed and studied to this day, and he remains an iconic figure in the world of music.\u003c\/em\u003e\u003c\/p\u003e","brand":"Encore Music","offers":[{"title":"Default Title","offer_id":40058817216571,"sku":"HN2","price":88.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0552\/9275\/6027\/files\/Untitled_42_b46173b7-15b0-494b-b478-9c2506bcab87.png?v=1699716186"},{"product_id":"chopin-nocturnes-urtext","title":"Frederic Chopin - Nocturnes Urtext Piano Solo Book","description":"\u003cp\u003e\u003cspan style=\"color: #126036;\" data-mce-style=\"color: #126036;\"\u003e\u003cstrong\u003eFrederic Chopin - Nocturnes Urtext Piano Solo Book \u003cmeta charset=\"UTF-8\"\u003e📚\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Frederic Chopin - Nocturnes Urtext Book\"\u003c\/em\u003e is a comprehensive collection of Chopin's iconic Nocturnes, designed to appeal to classical pianists and lovers of Chopin's music. \u003cbr\u003e\u003cbr\u003eChopin's Nocturnes showcase his mastery of the piano and his ability to infuse different musical genres with distinct and individual characteristics. Building on the foundation laid by John Field, who composed over 20 Nocturnes prior to Chopin, Chopin further developed the lyrical and expressive piano writing, creating works that exude a dreamy and longing atmosphere that has come to define his musical style.\u003cbr\u003e\u003cbr\u003eThis Henle Urtext edition presents a compilation of Nocturnes that were published during Chopin's lifetime, as well as those that were only published posthumously. It includes the famous Lento Con Gran Espressione in C sharp minor, presented in two authentic versions. The Urtext approach ensures that the musical text is presented as closely as possible to Chopin's intentions, making it a valuable resource for pianists seeking an authentic interpretation of his music.\u003cbr\u003e\u003cbr\u003eWith 132 pages of meticulously edited scores, \"Frederic Chopin - Nocturnes Urtext Book\" offers a comprehensive and definitive collection of Chopin's beloved Nocturnes. Pianists will appreciate the attention to detail and the opportunity to delve into the rich and expressive world of Chopin's compositions, immersing themselves in the beauty and emotional depth of these timeless pieces.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\" data-mce-style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eWhy Choose Urtext Editions?\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eUrtext editions offer error-free and dependable musical texts that result from thorough musicological research. They include fingerings and bowings by renowned artists and pedagogues. These editions provide prefaces in three languages, offering insights into the work's genesis and historical context.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIn addition, they feature critical commentaries in one to three languages, providing descriptions and assessments of the sources while explaining any discrepancies in the sources and the editorial decisions made. Urtext editions are known for their exceptionally beautiful music engraving and offer convenient page-turns, fold-out pages, and helpful cues where needed. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFurthermore, Urtext editions are renowned for their excellent print quality and durable binding. With the largest Urtext catalog worldwide and a history dating back to 1948, they offer unparalleled expertise in producing high-quality \"Urtext\" editions.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #16663b;\" data-mce-style=\"color: #16663b;\"\u003e\u003cstrong\u003eTitles Include:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"content-item\" data-item=\"21\"\u003e\n\u003cli class=\"column-title\"\u003eNocturne b flat minor op. 9,1\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eNocturne E flat major op. 9,2\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eNocturne B major op. 9,3\u003c\/li\u003e\n\u003cli class=\"column-difficulty\"\u003eNocturne F major op. 15,1\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eNocturne F sharp major op. 15,2\u003c\/li\u003e\n\u003cli class=\"column-difficulty\"\u003eNocturne g minor op. 15,3\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli class=\"column-difficulty\"\u003eNocturne c sharp minor op. 27,1\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli class=\"column-difficulty\"\u003eNocturne D flat major op. 27,2\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli class=\"column-difficulty\"\u003eNocturne B major op. 32,1\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli class=\"column-difficulty\"\u003eNocturne A flat major op. 32,2\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli class=\"column-difficulty\"\u003eNocturne g minor op. 37,1\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli class=\"column-difficulty\"\u003eNocturne G major op. 37,2\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli class=\"column-difficulty\"\u003eNocturne c minor op. 48,1\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli class=\"column-difficulty\"\u003eNocturne f sharp minor op. 48,2\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli class=\"column-difficulty\"\u003eNocturne f minor op. 55,1\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli class=\"column-difficulty\"\u003eNocturne E flat major op. 55,2\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli class=\"column-difficulty\"\u003eNocturne B major op. 62,1\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli class=\"column-difficulty\"\u003eNocturne E major op. 62,2\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli class=\"column-difficulty\"\u003eNocturne e minor op. post. 72,1\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli class=\"column-difficulty\"\u003eNocturne (version 1) c sharp minor KK IVa,16\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eNocturne (version 2) c sharp minor KK IVa,16\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eNocturne c minor KK IVb,8\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\" data-mce-style=\"text-decoration: underline;\"\u003e\u003cspan style=\"color: #155b35;\" data-mce-style=\"color: #155b35;\"\u003e\u003cstrong\u003eAMEB:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cb\u003ePiano \/ Associate \/ List C\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eNocturne in B major No3 from Three Nocturnes Op.9\/CT 110\u003c\/li\u003e\n\u003cli\u003eNocturne in C sharp minor Op. 27 No. 1\/CT 114\u003c\/li\u003e\n\u003cli\u003eNocturne in Eb major No. 2 from Two Nocturnes Op. 55\/CT 123\u003c\/li\u003e\n\u003cli\u003eNocturne in F sharp major No. 2 from Two Nocturnes Op. 15\/CT 112\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cb\u003ePiano \/ Grade 7 \/ List C\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eNocturne in F minor Op. 55 No. 1\/CT 122\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cb\u003ePiano \/ Grade 8 \/ List C\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eNocturne in B major Op. 32 No. 1\u003c\/li\u003e\n\u003cli\u003eNocturne in F major Op. 15 No. 1\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cb\u003ePiano \/ Licentiate \/ List C\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eNocturne in B major Op. 62 No. 1\/CT 124\u003c\/li\u003e\n\u003cli\u003eNocturne in Db major Op. 27 No. 2\/CT 115\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cb\u003ePiano for Leisure \/ Grade 7 \/ Open Manual list\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eNocturne in G minor Op. 37 No 1 CT 118\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cb\u003ePiano for Leisure \/ Grade 8 \/ Open Manual list\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eNocturne in B major Op. 32 No 1\/CT 116\u003c\/li\u003e\n\u003cli\u003eNocturne in Eb major Op. 9 No 2\/CT 109\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cem\u003eWho Was Frédéric Chopin?\u003c\/em\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cem\u003ePianist and composer. His work is concentrated around piano music that enjoys extraordinary popularity and has become an integral part of the concert repertoire. His music influenced subsequent generations in France (Franck, Saint-Saëns, Fauré, Debussy) as well as Smetana, Dvořák, Balakirev, Grieg, Albéniz.\u003c\/em\u003e\u003c\/p\u003e\n\u003ctable class=\"table table-piped\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e1810\u003c\/td\u003e\n\u003ctd\u003eBorn in Żelazowa Wola near Warsaw on March 1. First compositions at age seven, his first public performance at eight.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e1822\u003c\/td\u003e\n\u003ctd\u003ePrivate instruction in composition.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e1825\u003c\/td\u003e\n\u003ctd\u003eRondo in C minor, Op. 1, his first published work.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e1826–29\u003c\/td\u003e\n\u003ctd\u003eStudies at the Institute of Music in Warsaw.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e1829\u003c\/td\u003e\n\u003ctd\u003e“Fantaisie sur des airs nationaux polonaise” in A major, Op. 13; Piano Trio in G minor, Op. 8. Travels to Vienna, where he gives two concerts of his compositions and improvisations.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e1829–33 and 1835–37\u003c\/td\u003e\n\u003ctd\u003eEtudes, Opp. 10 and 25 -- a new type of virtuosic etude that also makes aesthetic demands.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e1830\u003c\/td\u003e\n\u003ctd\u003ePremieres in Warsaw of his two piano concerti, Op. 21 in F minor and Op. 11 in E minor.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e1831\u003c\/td\u003e\n\u003ctd\u003eUnable to return to Warsaw due to the Polish uprising, he goes to Paris, where he will remain until the end of his life.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e1832\u003c\/td\u003e\n\u003ctd\u003eDebut concert in Paris to great acclaim.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e1835\/38\u003c\/td\u003e\n\u003ctd\u003e“Trois valses brillantes,” Op. 34.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e1836\/39\u003c\/td\u003e\n\u003ctd\u003e“24 Preludes,” Op. 28, in a cyclic succession: compactly-designed short pieces.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e1835\/39\u003c\/td\u003e\n\u003ctd\u003ePiano Sonata in B-flat minor, Op. 35, with the funeral march.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e1842\/43\u003c\/td\u003e\n\u003ctd\u003eBallade No. 4 in F minor, Op. 52; “Grande Polonaise brillante” in A-flat major, Op. 53; Scherzo No. 4 in E major, Op. 54.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e1844\u003c\/td\u003e\n\u003ctd\u003ePiano Sonata in B minor, Op. 58\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e1849\u003c\/td\u003e\n\u003ctd\u003eCompletion of the mazurkas in G minor and F minor. Death in Paris on October 17.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e","brand":"Encore Music","offers":[{"title":"Default Title","offer_id":40058817249339,"sku":"HN185","price":84.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0552\/9275\/6027\/files\/Myproject-1-2023-07-11T214426.627.png?v=1689075899"},{"product_id":"preludes-and-fugues-bk-2-urtext","title":"Preludes And Fugues Bk 2 Urtext","description":"\u003cp\u003eThe world-famous pianist Andre¬¨‚àûs Schiff, a most familiar name to Bach fans on account of his complete recordings of Bach's piano works, has provided fingerings for both parts of the Well-Tempered Clavier. He discusses aspects of performance practice in a detailed preface. The basis for the musical text was Henle's revised edition of Part I published in 1997 and Yo Tomita's brand new revision of Part II (spring 2007). The eminent Bach scholar Tomita discusses the complicated source situation of Part II in an extensive preface. A detailed commentary rounds off the edition.\u003c\/p\u003e","brand":"Encore Music","offers":[{"title":"Default Title","offer_id":40058817282107,"sku":"HN16","price":81.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0552\/9275\/6027\/files\/HN16.jpg?v=1684317596"},{"product_id":"schubert-sonatas-bk-2-piano-urtext","title":"Schubert - Sonatas Bk 2 Piano Urtext","description":"\u003cp\u003eAn authoritative Urtext edition of the second book of Piano Sonatas by Franz Schubert, edited by Paul Mies with fingerings by Hans-Martin Theopold.\u003c\/p\u003e","brand":"Encore Music","offers":[{"title":"Default Title","offer_id":40058817314875,"sku":"HN148","price":103.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0552\/9275\/6027\/files\/HN148.jpg?v=1684317599"},{"product_id":"preludes-and-fugues-bk-1-urtext","title":"J.S Bach - The Well Tempered Klavier Book 1 (Urtext Edition)","description":"\u003cp\u003e\u003cspan style=\"color: #0e502f;\" data-mce-style=\"color: #0e502f;\"\u003e\u003cstrong\u003eJohann Sebastian Bach - The Well Tempered Klavier \u003cmeta charset=\"utf-8\"\u003e📚\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #0e502f;\" data-mce-style=\"color: #0e502f;\"\u003e\u003cstrong\u003e\u003cspan style=\"color: #232625;\"\u003ePreludes And Fugues Book 1 (Urtext Edition) \u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThis Urtext edition offers a purist approach, aimed at giving performers maximum interpretative freedom by eschewing editorial directions such as tempi and dynamics. However, to aid the pianist, suggested fingerings are provided.\u003c\/p\u003e\n\u003cp\u003eAdditionally, the preface contains insights into the recommended interpretation of ornaments. The layout prioritises clarity and legibility, spacing out the print and marking bar numbers at the start of each system for easy reference.\u003c\/p\u003e\n\u003cp\u003eThis collection has been meticulously edited by Ernst-Ganter Heinemann and graced with fingerings from the globally renowned pianist Andras Schiff. With a total of 139 pages, this edition promises a comprehensive and authoritative exploration of Bach's masterpiece.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #105331;\"\u003e\u003cstrong\u003eAMEB:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cb\u003ePiano \/ Associate \/ List B\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ePrelude and Fugue in A major BWV 864 from Well Tempered Klavier Book 1\u003c\/li\u003e\n\u003cli\u003ePrelude and Fugue in F major BWV856 from Well Tempered Klavier Book1\u003c\/li\u003e\n\u003cli\u003ePrelude and Fugue in F# major BWV 858 from Well Tempered Klavier Book 1\u003c\/li\u003e\n\u003cli\u003ePrelude and Fugue in F# minor BWV 859 from Well Tempered Klavier Book 1\u003c\/li\u003e\n\u003cli\u003ePrelude and Fugue in G major BWV 860 from Well Tempered Klavier Book 1\u003c\/li\u003e\n\u003cli\u003ePrelude and Fugue in G minor BWV 861 from Well Tempered Klavier Book 1\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cb\u003ePiano \/ Certificate of Performance \/ List A\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ePrelude and Fugue in Ab major BWV 862 from Well Tempered Klavier Book 1\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cb\u003ePiano \/ Grade 7 \/ List A\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ePrelude and Fugue in Bb major BWV 866 from Well Tempered Klavier Book 1\u003c\/li\u003e\n\u003cli\u003ePrelude and Fugue in D major BWV 850 from Well Tempered Klavier Book 1\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cb\u003ePiano \/ Grade 8 \/ List A\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ePrelude and Fugue in B major BWV 868 from Well Tempered Klavier Book 1\u003c\/li\u003e\n\u003cli\u003ePrelude and Fugue in E major BWV 854 from Well Tempered Klavier Book 1\u003c\/li\u003e\n\u003cli\u003ePrelude and Fugue in G sharp minor BWV 863 from Well Tempered Klavier Book 1\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cb\u003ePiano \/ Licentiate \/ List B\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ePrelude and Fugue in A minor BWV 865 from Well Tempered Klavier Book 1\u003c\/li\u003e\n\u003cli\u003ePrelude and Fugue in C sharp major BWV 848 from Well Tempered Klavier Book 1\u003c\/li\u003e\n\u003cli\u003ePrelude and Fugue in C sharp minor BWV 849 from Well Tempered Klavier Book 1\u003c\/li\u003e\n\u003cli\u003ePrelude and Fugue in Eb major BWV 852 from Well Tempered Klavier Book 1\u003c\/li\u003e\n\u003cli\u003ePrelude and Fugue in Eb minor BWV 853 from Well Tempered Klavier Book 1\u003c\/li\u003e\n\u003cli\u003ePrelude and Fugue in F minor BWV 857 from Well Tempered Klavier Book 1\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eWho Was \u003cmeta charset=\"utf-8\"\u003eJohann Sebastian Bach?\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eJohann Sebastian Bach (1685–1750) was a German composer and musician of the Baroque era. He is renowned for his intricate compositions and for the intellectual depth of his work. Notable for both his choral and instrumental music, Bach's repertoire includes the Mass in B Minor, the Brandenburg Concertos, and 'The Well-Tempered Clavier.' His compositions are considered some of the greatest in Western classical music history. Bach held various musical posts throughout his life, including positions at the courts of Weimar and Kothen, and finally as Cantor of the Thomaskirche in Leipzig. His influence on subsequent generations of composers is immeasurable.\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Encore Music","offers":[{"title":"Default Title","offer_id":40058817609787,"sku":"HN14","price":82.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0552\/9275\/6027\/files\/Untitled-2023-09-30T235940.018.png?v=1696082391"},{"product_id":"beethoven-fur-elise-bagatelle-a-min-piano","title":"Beethoven - Fur Elise Bagatelle A Minor Piano Urtext Book","description":"\u003cp\u003e\u003cspan style=\"color: #337950;\"\u003e\u003cstrong\u003eBeethoven - Fur Elise Bagatelle A Minor Piano Urtext Sheet Music \u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eDiscover the timeless beauty of Beethoven's 'Fur Elise', one of the most beloved pieces in the piano repertoire. This Urtext edition presents the work in its purest form, ensuring an authentic representation of Beethoven’s original intentions. \u003c\/p\u003e\n\u003cp\u003eWith careful attention to detail, this edition provides clear notation and accurate fingerings, making it ideal for both students and experienced pianists. 10 pages.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #31704b;\"\u003e\u003cstrong\u003ePiece:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul data-item=\"0\" class=\"content-item\"\u003e\n\u003cli class=\"column-title\"\u003eBagatelle (Fur Elise) a minor WoO 59\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eWhy Choose Urtext Editions?\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eUrtext editions offer error-free and dependable musical texts that result from thorough musicological research. They include fingerings and bowings by renowned artists and pedagogues. These editions provide prefaces in three languages, offering insights into the work's genesis and historical context.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIn addition, they feature critical commentaries in one to three languages, providing descriptions and assessments of the sources while explaining any discrepancies in the sources and the editorial decisions made. Urtext editions are known for their exceptionally beautiful music engraving and offer convenient page-turns, fold-out pages, and helpful cues where needed.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFurthermore, Urtext editions are renowned for their excellent print quality and durable binding. With the largest Urtext catalog worldwide and a history dating back to 1948, they offer unparalleled expertise in producing high-quality \"Urtext\" editions.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"content\"\u003e\n\u003ch3\u003e\u003cem\u003eLudwig van Beethoven\u003c\/em\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cem\u003eNo composer has had as profound and sustained an influence on immediately following generations to the present day as Beethoven. His instrumental music, especially his symphonies, served as touchstones for symphonic composition throughout the nineteenth century. The extraordinarily high standard of his music and his relative independence as a freelance composer have led to his being characterised as the greatest composer of all time.\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Encore Music","offers":[{"title":"Default Title","offer_id":40058817904699,"sku":"HN1347","price":17.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0552\/9275\/6027\/files\/Myproject-1_86_11a19ef3-275e-4d7e-8490-fd0cbf8e23d4.png?v=1728390181"},{"product_id":"chopin-waltzes-urtext","title":"Frederic Chopin - Waltzes Urtext Book","description":"\u003cp\u003e\u003cspan style=\"color: #3f8b65;\" data-mce-style=\"color: #3f8b65;\"\u003e\u003cstrong\u003e\u003cspan style=\"color: #207048;\" data-mce-style=\"color: #207048;\"\u003eFrederic Chopin - Waltzes Urtext Book \u003c\/span\u003e\u003cmeta charset=\"UTF-8\"\u003e📚\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe \"Frederic Chopin - Waltzes Urtext Book\"\u003c\/em\u003e is a comprehensive collection of Chopin's waltzes, reflecting his immense influence on this genre and his artistic evolution throughout his life. While Chopin is renowned for revolutionizing the etude, he also elevated the waltz to a new level of artistic expression. Through these waltzes, Chopin demonstrated his mastery of form, creating a wide range of pieces, from virtuosic showpieces like the \"Grandes Valses Brillantes\" to deeply emotive and melancholic atmospheric compositions.\u003cbr\u003e\u003cbr\u003eThough titled \"waltzes,\" these works are not meant for dancing. Instead, they are exquisite musical pictures that transport listeners to a realm of emotions and introspection. Chopin poured much time and dedication into composing waltzes, and this volume features all of the waltzes that were published during his lifetime, as well as posthumously released works. Notable masterpieces, such as the popular \"Minute Waltz\" (Op. 64 No. 1), can be found within this collection.\u003cbr\u003e\u003cbr\u003eThe Urtext edition ensures that the music is presented in its most authentic and accurate form, staying true to the original manuscripts and intentions of the composer. In cases where multiple authentic versions of the same waltz exist, both versions are included, offering a deeper understanding of Chopin's creative process.\u003cbr\u003e\u003cbr\u003eWith 111 pages, this \"Frederic Chopin - Waltzes Urtext Book\" is a significant and cherished resource for pianists, music enthusiasts, and scholars alike. It offers a captivating journey through Chopin's enchanting waltzes, revealing the depth and beauty of his musical expression and solidifying his reputation as one of the greatest composers in the history of classical music.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #12693d;\"\u003e\u003cstrong\u003eRepertoire Includes:\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul class=\"content-item\" data-item=\"22\"\u003e\n\u003cli class=\"column-title\"\u003eWaltz (Grande Valse brillante) E flat major op. 18\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eWaltz A flat major op. 34,1\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eWaltz a minor op. 34,2\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eWaltz F major op. 34,3\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eWaltz A flat major op. 42\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eWaltz (Minute) D flat major op. 64,1\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eWaltz c sharp minor op. 64,2\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eWaltz A flat major op. 64,3\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eWaltz A flat major op. post. 69,1\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eWaltz (Version according to Fontana) A flat major op. post. 69,1\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eWaltz b minor op. post. 69,2\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eWaltz (Version according to Fontana) b minor op. post. 69,2\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eWaltz G flat major op. post. 70,1\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eWaltz (Version according to Fontana) G flat major op. post. 70,1\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eWaltz f minor op. post. 70,2\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eWaltz (Version according to Fontana) f minor op. post. 70,2\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eWaltz D flat major op. post. 70,3\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eWaltz A flat major KK IVa,13\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eWaltz E major KK IVa,12\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eWaltz e minor KK IVa,15\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eWaltz a minor KK IVb,11\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eAppendix: Waltz E flat major KK IVb,10\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eAppendix: Waltz E flat major KK IVa,14\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"color: #197447;\" data-mce-style=\"color: #197447;\"\u003e\u003cstrong\u003eAMEB:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cb\u003ePiano \/ Associate \/ List C\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eWaltz in Ab major Op. 64 No. 3\/CT 214\u003c\/li\u003e\n\u003cli\u003eWaltz in E minor Op. post.\/B 56\/CT 222\u003c\/li\u003e\n\u003cli\u003eWaltz in F major Op. 34 No. 3\/CT 210\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cb\u003ePiano \/ Grade 4 \/ List B\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eWaltz in A minor KK IVb\/11 (posth)\/CT 224\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cb\u003ePiano \/ Grade 7 \/ List C\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eWaltz in A minor Op. 34 No. 2\/CT 209\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cb\u003ePiano \/ Grade 8 \/ List C\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eWaltz in F minor Op. 70 No. 2 (Chopin Waltzer)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cb\u003ePiano \/ Licentiate \/ List C\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eWaltz in Ab major Op.42\/CT 211\u003c\/li\u003e\n\u003cli\u003eWaltz in Eb major Op. 18\/CT 207\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cb\u003ePiano for Leisure \/ Certificate of Performance \/ Open Manual list\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eWaltz in E minor B 56\/C 222\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cb\u003ePiano for Leisure \/ Grade 7 \/ Open Manual list\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eWaltz in C# minor Op. 64 No 2\/CT 213\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cb\u003ePiano for Leisure \/ Grade 8 \/ Open Manual list\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eWaltz in Ab major Op. 69 No 1\/CT 215\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eFrédéric Chopin\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePianist and composer. His work is concentrated around piano music that enjoys extraordinary popularity and has become an integral part of the concert repertoire. His music influenced subsequent generations in France (Franck, Saint-Saëns, Fauré, Debussy) as well as Smetana, Dvořák, Balakirev, Grieg, Albéniz.\u003c\/em\u003e\u003c\/p\u003e\n\u003ctable class=\"table table-piped\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e1810\u003c\/td\u003e\n\u003ctd\u003eBorn in Żelazowa Wola near Warsaw on March 1. First compositions at age seven, his first public performance at eight.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e1822\u003c\/td\u003e\n\u003ctd\u003ePrivate instruction in composition.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e1825\u003c\/td\u003e\n\u003ctd\u003eRondo in C minor, Op. 1, his first published work.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e1826–29\u003c\/td\u003e\n\u003ctd\u003eStudies at the Institute of Music in Warsaw.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e1829\u003c\/td\u003e\n\u003ctd\u003e“Fantaisie sur des airs nationaux polonaise” in A major, Op. 13; Piano Trio in G minor, Op. 8. Travels to Vienna, where he gives two concerts of his compositions and improvisations.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e1829–33 and 1835–37\u003c\/td\u003e\n\u003ctd\u003eEtudes, Opp. 10 and 25 -- a new type of virtuosic etude that also makes aesthetic demands.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e1830\u003c\/td\u003e\n\u003ctd\u003ePremieres in Warsaw of his two piano concerti, Op. 21 in F minor and Op. 11 in E minor.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e1831\u003c\/td\u003e\n\u003ctd\u003eUnable to return to Warsaw due to the Polish uprising, he goes to Paris, where he will remain until the end of his life.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e1832\u003c\/td\u003e\n\u003ctd\u003eDebut concert in Paris to great acclaim.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e1835\/38\u003c\/td\u003e\n\u003ctd\u003e“Trois valses brillantes,” Op. 34.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e1836\/39\u003c\/td\u003e\n\u003ctd\u003e“24 Preludes,” Op. 28, in a cyclic succession: compactly-designed short pieces.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e1835\/39\u003c\/td\u003e\n\u003ctd\u003ePiano Sonata in B-flat minor, Op. 35, with the funeral march.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e1842\/43\u003c\/td\u003e\n\u003ctd\u003eBallade No. 4 in F minor, Op. 52; “Grande Polonaise brillante” in A-flat major, Op. 53; Scherzo No. 4 in E major, Op. 54.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e1844\u003c\/td\u003e\n\u003ctd\u003ePiano Sonata in B minor, Op. 58\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e1849\u003c\/td\u003e\n\u003ctd\u003eCompletion of the mazurkas in G minor and F minor. Death in Paris on October 17.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e","brand":"Encore Music","offers":[{"title":"Default Title","offer_id":40058817937467,"sku":"HN131","price":72.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0552\/9275\/6027\/files\/Myproject-1-2023-08-04T133515.354.png?v=1691120130"},{"product_id":"chopin-etudes-complete-piano-op-10-op-25","title":"Chopin - Etudes Complete Piano Op 10 and Op 25 Book (Urtext Edition)","description":"\u003cp\u003e\u003cspan style=\"color: #2d6e4b;\"\u003e\u003cstrong\u003e\u003cspan style=\"color: #116035;\"\u003eFrederic Chopin - Etudes Complete Piano Op 10 Op 25 Book\u003c\/span\u003e\u003cem\u003e\u003cspan style=\"color: #116035;\"\u003e \u003c\/span\u003e\u003c\/em\u003e📚\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUrtext Edition\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eChopin succeeded in doing something truly remarkable with his two cycles of Etudes op. 10 and op. 25, published in 1833 and 1837 respectively. Probably no one before him had composed technical practice pieces that at the same time reached such musical heights. Chopin s Etudes are character pieces that are full of tension, written for the concert hall.\u003c\/p\u003e\n\u003cp\u003eThe virtuosic works, including long-running hits such as the 'Revolutionary Etude' op. 10 no. 12 belong to the pianist's core repertoire. In addition to the two cycles op. 10 and op. 25, this Henle Urtext edition also contains three Etudes without opus number, which Chopin composed for a Parisian piano method in 1840: wonderfully lyrical miniatures, which can hold their own with the 24 grand studies. 142 pages. \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #1e7148;\"\u003e\u003cstrong\u003eRepertoire Includes:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"article-contents\"\u003e\n\u003cul class=\"content-item\" data-item=\"26\"\u003e\n\u003cli class=\"column-title\"\u003eEtude C major op. 10,1\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eEtude A minor op. 10,2\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eEtude E major op. 10,3\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eEtude C sharp minor op. 10,4\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eEtude G flat major op. 10,5\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eEtude E flat minor op. 10,6\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eEtude C major op. 10,7\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eEtude F major op. 10,8\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eEtude F minor op. 10,9\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eEtude A flat major op. 10,10\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eEtude E flat major op. 10,11\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eEtüde (Revolution) C minor op. 10,12\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eEtude A flat major op. 25,1\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eEtude F minor op. 25,2\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eEtude F major op. 25,3\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eEtude A minor op. 25,4\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eEtude E minor op. 25,5\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eEtude G sharp minor op. 25,6\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eEtude C sharp minor op. 25,7\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eEtude D flat major op. 25,8\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eEtude G flat major op. 25,9\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eEtude B minor op. 25,10\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eEtude A minor op. 25,11\u003c\/li\u003e\n\u003cli class=\"column-difficulty\"\u003eEtude C minor op. 25,12\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli class=\"column-difficulty\"\u003eEtude F minor KK IIb, 3,1\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eEtude A flat major KK IIb, 3,2\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eEtude D flat major KK IIb, 3,3\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan style=\"color: #27744b;\"\u003e\u003cstrong\u003eAMEB:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cb\u003ePiano \/ Associate \/ List C\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eEtude in Ab major No. 1 from Etudes Op. 25\/CT 26\u003c\/li\u003e\n\u003cli\u003eEtude in C sharp minor No. 7 from Etudes Op. 25\/CT 32\u003c\/li\u003e\n\u003cli\u003eEtude in F minor No. 2 from Etudes Op. 25\/CT 27\u003c\/li\u003e\n\u003cli\u003eEtude in Gb major No. 9 from Etudes Op. 25\/CT 34\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cb\u003ePiano \/ Licentiate \/ List C\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAny two contrasting Etudes from Op. 10\/CT 14-25 and\/or Op. 25\/CT 26-37\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv class=\"content\"\u003e\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cem\u003eFrédéric Chopin\u003c\/em\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003ePianist and composer. His work is concentrated around piano music that enjoys extraordinary popularity and has become an integral part of the concert repertoire. His music influenced subsequent generations in France (Franck, Saint-Saëns, Fauré, Debussy) as well as Smetana, Dvořák, Balakirev, Grieg, Albéniz.\u003c\/p\u003e\n\u003ctable class=\"table table-piped\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e1810\u003c\/td\u003e\n\u003ctd\u003eBorn in Żelazowa Wola near Warsaw on March 1. First compositions at age seven, his first public performance at eight.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e1822\u003c\/td\u003e\n\u003ctd\u003ePrivate instruction in composition.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e1825\u003c\/td\u003e\n\u003ctd\u003eRondo in C minor, Op. 1, his first published work.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e1826–29\u003c\/td\u003e\n\u003ctd\u003eStudies at the Institute of Music in Warsaw.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e1829\u003c\/td\u003e\n\u003ctd\u003e“Fantaisie sur des airs nationaux polonaise” in A major, Op. 13; Piano Trio in G minor, Op. 8. Travels to Vienna, where he gives two concerts of his compositions and improvisations.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e1829–33 and 1835–37\u003c\/td\u003e\n\u003ctd\u003eEtudes, Opp. 10 and 25 -- a new type of virtuosic etude that also makes aesthetic demands.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e1830\u003c\/td\u003e\n\u003ctd\u003ePremieres in Warsaw of his two piano concerti, Op. 21 in F minor and Op. 11 in E minor.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e1831\u003c\/td\u003e\n\u003ctd\u003eUnable to return to Warsaw due to the Polish uprising, he goes to Paris, where he will remain until the end of his life.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e1832\u003c\/td\u003e\n\u003ctd\u003eDebut concert in Paris to great acclaim.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e1835\/38\u003c\/td\u003e\n\u003ctd\u003e“Trois valses brillantes,” Op. 34.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e1836\/39\u003c\/td\u003e\n\u003ctd\u003e“24 Preludes,” Op. 28, in a cyclic succession: compactly-designed short pieces.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e1835\/39\u003c\/td\u003e\n\u003ctd\u003ePiano Sonata in B-flat minor, Op. 35, with the funeral march.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e1842\/43\u003c\/td\u003e\n\u003ctd\u003eBallade No. 4 in F minor, Op. 52; “Grande Polonaise brillante” in A-flat major, Op. 53; Scherzo No. 4 in E major, Op. 54.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e1844\u003c\/td\u003e\n\u003ctd\u003ePiano Sonata in B minor, Op. 58\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e1849\u003c\/td\u003e\n\u003ctd\u003eCompletion of the mazurkas in G minor and F minor. 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Their words paint a hauntingly beautiful scene, likening the first movement to a placid lake illuminated by moonlight, and the overall composition to a solitary grave on a barren plain under the soft glow of a crescent moon. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThis edition, enriched by the latest research, suggests that Beethoven's inspiration might have been the ethereal sounds of the Aeolian harp. Insightful introductory texts by Murray Perahia and Norbert Gertsch delve into this historical context, and Perahia's fingerings are included to guide your technical execution. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eComprising 28 pages, this book not only offers a pathway into one of classical music's most beloved compositions but also serves as an insightful guide into its historical and theoretical underpinnings. 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His music is celebrated for its emotional depth and technical complexity.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eNo composer has had as profound and sustained an influence on immediately following generations to the present day as Beethoven. His instrumental music, especially his symphonies, served as touchstones for symphonic composition throughout the nineteenth century. The extraordinarily high standard of his music and his relative independence as a freelance composer have led to his being characterised as the greatest composer of all time.\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Encore Music","offers":[{"title":"Default Title","offer_id":40058818396219,"sku":"HN1062","price":27.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0552\/9275\/6027\/files\/Untitled-2023-09-21T002618.879.png?v=1695220033"},{"product_id":"mozart-piano-sonatas-vol-1-urtext","title":"Mozart - Piano Sonatas Volume 1 - Urtext Edition","description":"\u003cp\u003e\u003cspan style=\"color: #0e792c;\"\u003e\u003cstrong\u003eWolfgang Amadeus Mozart - Piano Sonatas Volume 1 - Urtext Edition \u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe \"Mozart - Piano Sonatas Volume 1 - Urtext Edition\"\u003c\/em\u003e is a meticulously edited collection of Mozart's Piano Sonatas, characterized by its comprehensive editorial markings and suggestions. 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Contains parts for clarinet in A and B flat. The circumstances in which these poetic Soire Pieces (thus their original title) came into being are quite surprising. In 1849 Dresden was seized by violent political turmoil that ultimately forced Schumann to flee with Clara to the countryside. Yet none ofthis is apparent in the music of these three pieces, whose idyllic char acter signifies a longing for harmony and seclusion. Originally conceived for the clarinet, they were accompanied by alternative parts for violin and cello as early as the original print. 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Unlike many of Franck's late works, this sonata was warmly received by both critics and audiences from the start, with Ysaye declaring, “I will play this masterpiece wherever I can find an artistically-minded pianist.” Its enduring popularity continues to captivate musicians today.\u003c\/p\u003e\n\u003cp\u003eThis edition reflects the latest research and revisions based on Franck's active involvement in proofreading the printed edition. As a result, this new edition addresses the differences between the first edition and the autograph manuscript, providing an accurate representation of the work. \u003c\/p\u003e\n\u003cp\u003eThe violin part features markings by the legendary Yehudi Menuhin, while Daniel Hope has made the necessary adjustments to align with the revised musical text. 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This was Tchaikovsky's first concertante work for violin, the beginning of a path that was to lead to his Violin Concerto three years later. He composed the Srnade mlancolique in 1875 for violinist Leopold Auer, originally for violin and orchestra, but later also in a version for violin and piano. Since the autograph sources are lost, this Henle edition is based on the Russian first editions, which even in Tchaikovsky's lifetime were issued in a number of revised versions. Our editor, Russian Tchaikovsky scholar Alexander Komarov, brings exemplary clarity to the confused state of the sources, while Ingolf Turban unlocks the notation of the violin part with his accomplished fingerings and bowings.\u003c\/p\u003e\u003cp\u003eSerenade Melancolique Op. 26\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eComposer:\u003c\/strong\u003e Peter Ilyich Tchaikovsky\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEditor:\u003c\/strong\u003e Alexander Komarov\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePublisher:\u003c\/strong\u003e G. 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Contains marked and unmarked cello parts with fingering and bowing by Reiner Ginzel. The circumstances in which these poetic Soire Pieces (thus their original title) came into being are quite surprising. In 1849 Dresden was seized byviolent political turmoil that ultimately forced Schumann to flee with Clara to the countryside. Yet none of this is apparent in the music of these three pieces, whose idyllic character signifies a longing for harmony and seclusion. Originally conceived for the clarinet, they were accompanied by alternative parts for violin and cello as early as the original print. 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Nearly every piano student has encountered its charming and expressive pieces, which beautifully blend musicality with pedagogical intent.\u003c\/p\u003e\n\u003cp\u003eLess commonly known is that Schumann envisioned this work as part of a broader 'music historical course of instruction'. This carefully revised Urtext edition includes that original educational context, along with other pieces Schumann initially planned for the album, presented in an informative appendix.\u003c\/p\u003e\n\u003cp\u003eAlso included are Ludwig Richter’s illustration from the first edition’s title page and a trilingual version of Schumann’s 'Advice to Young Musicians', offering a deeper insight into the values and culture of 19th-century middle-class musical life. 108 pages.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eContents Includes;\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMelodie op. 68,1\u003c\/li\u003e\n\u003cli\u003eSoldatenmarsch op. 68,2\u003c\/li\u003e\n\u003cli\u003eTrällerliedchen op. 68,3\u003c\/li\u003e\n\u003cli\u003eEin Choral op. 68,4\u003c\/li\u003e\n\u003cli\u003eStückchen op. 68,5\u003c\/li\u003e\n\u003cli\u003eArmes Waisenkind op. 68,6\u003c\/li\u003e\n\u003cli\u003eJägerliedchen op. 68,7\u003c\/li\u003e\n\u003cli\u003eWilder Reiter op. 68,8\u003c\/li\u003e\n\u003cli\u003eVolksliedchen op. 68,9\u003c\/li\u003e\n\u003cli\u003eFröhlicher Landmann, von der Arbeit zurückkehrend op. 68,10\u003c\/li\u003e\n\u003cli\u003eSicilianisch op. 68,11\u003c\/li\u003e\n\u003cli\u003eKnecht Ruprecht op. 68,12\u003c\/li\u003e\n\u003cli\u003eMai, lieber Mai, - Bald bist du wieder da! op. 68,13\u003c\/li\u003e\n\u003cli\u003eKleine Studie op. 68,14\u003c\/li\u003e\n\u003cli\u003eFrühlingsgesang op. 68,15\u003c\/li\u003e\n\u003cli\u003eErster Verlust op. 68,16\u003c\/li\u003e\n\u003cli\u003eKleiner Morgenwanderer op. 68,17\u003c\/li\u003e\n\u003cli\u003eSchnitterliedchen op. 68,18\u003c\/li\u003e\n\u003cli\u003eKleine Romanze op. 68,19\u003c\/li\u003e\n\u003cli\u003eLändliches Lied op. 68,20\u003c\/li\u003e\n\u003cli\u003e*** op. 68,21\u003c\/li\u003e\n\u003cli\u003eRundgesang op. 68,22\u003c\/li\u003e\n\u003cli\u003eReiterstück op. 68,23\u003c\/li\u003e\n\u003cli\u003eErnteliedchen op. 68,24\u003c\/li\u003e\n\u003cli\u003eNachklänge aus dem Theater op. 68,25\u003c\/li\u003e\n\u003cli\u003e*** op. 68,26\u003c\/li\u003e\n\u003cli\u003eCanonisches Liedchen op. 68,27\u003c\/li\u003e\n\u003cli\u003eErinnerung op. 68,28\u003c\/li\u003e\n\u003cli\u003eFremder Mann op. 68,29\u003c\/li\u003e\n\u003cli\u003e*** op. 68,30\u003c\/li\u003e\n\u003cli\u003eKriegslied op. 68,31\u003c\/li\u003e\n\u003cli\u003eSheherazade op. 68,32\u003c\/li\u003e\n\u003cli\u003e\"Weinlese - fröhliche Zeit!\" op. 68,33\u003c\/li\u003e\n\u003cli\u003eThema op. 68,34\u003c\/li\u003e\n\u003cli\u003eMignon op. 68,35\u003c\/li\u003e\n\u003cli\u003eLied italienischer Marinari op. 68,36\u003c\/li\u003e\n\u003cli\u003eMatrosenlied op. 68,37\u003c\/li\u003e\n\u003cli\u003eWinterszeit I op. 68,38\u003c\/li\u003e\n\u003cli\u003eWinterszeit II op. 68,39\u003c\/li\u003e\n\u003cli\u003eKleine Fuge op. 68,40\u003c\/li\u003e\n\u003cli\u003eNordisches Lied op. 68,41\u003c\/li\u003e\n\u003cli\u003eFigurierter Choral op. 68,42\u003c\/li\u003e\n\u003cli\u003eSylvesterlied op. 68,43\u003c\/li\u003e\n\u003cli\u003eAuf der Gondel op. 68 Anhang I\u003c\/li\u003e\n\u003cli\u003eBärentanz op. 68 Anhang I\u003c\/li\u003e\n\u003cli\u003eFür ganz Kleine op. 68 Anhang IKlavier 1 leicht\u003c\/li\u003e\n\u003cli\u003eGukkuk im Versteck op. 68 Anhang I\u003c\/li\u003e\n\u003cli\u003eHaschemann op. 68 Anhang I\u003c\/li\u003e\n\u003cli\u003e*** C-dur op. 68 Anhang I\u003c\/li\u003e\n\u003cli\u003e*** G-dur op. 68 Anhang I\u003c\/li\u003e\n\u003cli\u003eLagune in Venedig op. 68 Anhang I\u003c\/li\u003e\n\u003cli\u003e*** A-dur op. 68 Anhang I\u003c\/li\u003e\n\u003cli\u003ePuppenschlafliedchen op. 68 Anhang I\u003c\/li\u003e\n\u003cli\u003eRebus op. 68 Anhang I\u003c\/li\u003e\n\u003cli\u003eEin Thema von G.F. Händel op. 68 Anhang II\u003c\/li\u003e\n\u003cli\u003eEin Stückchen von J.S. Bach op. 68 Anhang II\u003c\/li\u003e\n\u003cli\u003e[Ein Stückchen von Gluck] op. 68 Anhang II\u003c\/li\u003e\n\u003cli\u003eEin Stückchen von Mozart op. 68 Anhang II\u003c\/li\u003e\n\u003cli\u003e[Ein Stückchen von Beethoven] op. 68 Anhang II\u003c\/li\u003e\n\u003cli\u003eEin Trinklied von C.M. v. 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